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(Vocal/instrumental group, 1980–84) Marc Almond (vocals) and Dave Ball (keyboards) created a charismatic art pop act, landing a huge hit with ‘Tainted Love’ (1981). Several other dark disco tracks followed: ‘Say Hello, Wave Goodbye’, ‘Torch’ and ‘What!’. Their debut Non-Stop Erotic Cabaret (1981, 1982 in the US) explored the steamier side of life. Almond’s solo career ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1965–75) At the dawning of the age of Aquarius, Soft Machine – their ever-changing line-up based around Robert Wyatt (drums) and Mike Ratledge (organ) – rivalled Pink Floyd as London’s prime exponents of psychedelic rock, mainly through use of complex time signatures, a stubbornly English lyricism and the creation of musical moods through open-ended improvisation. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Like the snare drum and tenor drum, the bass drum originated in the Middle East. It is a large instrument with a cylindrical body and two heads, and is the drum used to keep the rhythm in marching bands. The modern orchestral bass drum (100 cm/70 in diameter and 50 cm/20 in long) is double headed and rod tensioned. ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Instantly recognizable, the crumhorn (also known as the krummhorn or cromorne) was made out of wood – usually boxwood – that had been bent rather than carved. The bell turned dramatically upwards like a hook, and the narrow cylindrical body flared only slightly, making the instrument lower in pitch than one with a conical bore of the same ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Cymbals are thin metal discs played by being struck together or placed on a stand (suspended) and hit with sticks or beaters. They are made from beaten metal and so are distinct from crotales or antique cymbals, which are tuned cast metal discs. Turkish and Chinese Cymbals Suspended and crash cymbals used in western orchestral music, rock, pop ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The piano has occupied a special place in music and, since the advent of amplification, musicians have sought ways in which its expressive, versatile sound could be made louder in order to carry above the sound of other amplified instruments and also how it could be packaged into an instrument more easily transportable than the traditional acoustic piano. ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

When the player’s fingers press down its keys, the lever mechanism of the fortepiano (meaning ‘loud-soft’) causes the string to be struck once by a covered hammer, rather than plucked as in a harpsichord. The mechanism allowed it to play variously loudly or softly, and in an age producing music of increasing emotional diversity the dynamic range of ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

A frame drum is a skin stretched over and nailed to a shallow square or circular frame. It is played with sticks or with the hands. Frame drums are common to many musical cultures, and the modern tambourine and bodhrán are essentially the same instruments that were being played in Arabia and India in pre-Islamic times. They are often played ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

In one form or another, the harpsichord ruled the domestic keyboard roost throughout Europe – and later in America – from the late-sixteenth to the early-nineteenth centuries. Apart from the organ, it was the grandest and most versatile of all keyboard instruments until the advent of the mature fortepiano in the mid- to late-eighteenth century. Rise and Fall of ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Zither The zither is part of a group of instruments which are linked by the fact that sets of strings run parallel to their main body, and that – unlike the lute, lyre or harp – they can still be played even without a resonating device. In the concept’s least advanced state, native instruments exist which are little ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Of the woodwind instruments, the oboe has experienced perhaps the most organic development. There is no single, revolutionary moment at which the oboe became a modern instrument, and it retains strong links with the past both in sound and design. Shawm The modern oboe is a direct descendant of the shawm and the hautboy. The shawm was a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

In 1905, and probably for several decades before that, there were more pianos in the United States than there were bathtubs. In Europe, throughout the nineteenth century, piano sales increased at a greater rate than the population. English, French and German makers dispatched veritable armies of pianos to every corner of the Earth. It was the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The high quality of performance and sound on modern CDs, as well as the sheer range of recordings available, has had a dramatic effect on the reception of classical music. On the one hand, recording has brought the music to much larger audiences than concert halls could ever accommodate. On the other hand, it has altered the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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