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A baryton is a bass string instrument, similar in appearance to a viol. It is held between the performer’s knees and played with a bow; it usually carries six strings which the bow sounds directly. It has a number of strings (up to 40) which are concealed and which can be plucked by the thumb or allowed to vibrate in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

and oboes and bassoons were the favoured wind instruments. Nevertheless, variants of these core instruments still appeared from time to time, such as the viola d’amore, the baryton, the oboe di caccia, and the oboe d’amore, and were used by composers to provide occasional contrasts of tone. Natural trumpets and kettledrums found their way into ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Eb soprano is today seen as the Eb cornet, the Bb contralto has disappeared, the Eb alto is better known today as the tenor horn, the Eb baryton is the modern baritone, the Bb bass is the euphonium and below that are the Eb and Bb contrebasse saxhorns. Introduction | Brass Instruments Instruments | Tuba | Brass ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

in Così fan tutte, where a serenade is performed in the garden scene as a seduction is being prepared. Styles & Forms | Classical Era | Classical Instruments | Baryton | Classical Era | Classical ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1768–1837, French The French baritone Jean-Blaise Martin gave his name to the voice type termed baryton-Martin, through his ability to extend his voice range into falsetto mode by an extra octave. This sort of voice, in which the baritone’s normal top notes shade into the falsetto, is classed as a ‘high baritone’ and enables singers to take ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

della luna (1777); La vera costanza (c. 1778); L’isola disabitata (1779); La fedeltà premiata (1780); Orlando paladino (1782); Armida (1783); L’anima del filosofo (1791) Dances, divertimentos, cassations, baryton trios, other choral works, songs and partsongs Sounds Familiar The Emperor’s Hymn Haydn’s most famous melody, ‘Gott erhalte Franz den Kaiser’ (1797), was composed as the Austrian ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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