Instruments | Saxhorn | Brass
The early part of the nineteenth century was a rich period for the development of instruments; many designs dating from this period are now established as the standard forms. The brass world was no exception.
A man with business acumen and a fascination with design, Adolphe Sax was quick to seize on these developments. Having found major success with his patented saxophone family in the early 1840s, Sax had moved from Brussels to Paris, where he rapidly established himself as an instrument maker to be reckoned with.
His next move was to create a family of brass instruments based around the valve system, and in 1845 he applied for a patent for his new designs. Ever keen to seize an opportunity, Sax saw his instruments as a means of reinvigorating the wilting tradition of French military music. He organized a public contest between an established military band and a group of his new instruments in the presence of the Minister of War, as a result of which the saxhorns were officially adopted.
The Distin Family
This was not quite the coup Sax had hoped for, however, since a number of well-established manufacturers contested his claim to originality. Their concerns were well founded since the essential components of the saxhorn – the mouthpiece, bore and valve system – were already in use elsewhere. Sax played another trump card in persuading the Distin family quintet, the leading British brass quintet of the time, to adopt his instruments. The backing of the Distin family inevitably led to the saxhorn taking off in Britain; in 1853, the first major brass-band competition was won by a group all playing saxhorns.
There is considerable confusion about the term ‘saxhorn’. Adolphe Sax himself used it only once and it is claimed that Henry Distin was the term’s source. Distin also contributed to the confusion, since he held the franchise for Sax’s instruments from the 1840s until the late 1850s. When he lost the franchise, however, he continued to sell instruments that bore a strong resemblance to Sax’s, but were referred to as ‘flugelhorns’, ‘euphonions’ and ‘tubas’.
The Saxhorn Family
Sax’s instruments were made of brass, with conical bores finished off by a flared bell; the tubing sections directly linked to the valves were cylindrically bored. In general the main tubing section looks like large trumpets except that the bell always points upwards. Like all brass instruments, the mouthpiece is cup-shaped and sound is created from the player buzzing his lips together.
There are seven instruments in the family – although at one point 10 were posited – keyed alternately in Eb and Bb, in the same way as saxophones. The Eb soprano is today seen as the Eb cornet, the Bb contralto has disappeared, the Eb alto is better known today as the tenor horn, the Eb baryton is the modern baritone, the Bb bass is the euphonium and below that are the...
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
The ultimate story of a life of rock music, from the 1950s to the present day.
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.