SEARCH RESULTS FOR: gabba
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, rapid kick-drum sound took off in Rotterdam, which was attempting to distinguish itself from the tasteful house music scene in Amsterdam, and echo football and other rivalries. Gabba literally meant ‘hooligan’ or ‘ruffneck’, but youth in Rotterdam reclaimed the derogatory word as a distinguishing badge of pride. Appropriately enough, Euromasters (a.k.a Paul Elstak) ‘Where The Fuck ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

‘If I can’t dance, it’s not my revolution.’ Emma Goldman, American feminist writer Styles Disco House Acid House Tribal/Progressive House Hardcore Happy Hardcore Trance Jungle Drum’n’Bass Techno Gabba Breakbeat Big Beat UK Garage US Garage Tech-House Dance Style As it is made for dancing to, dance music is characterized by a strong, steady drum beat. It ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(born Jeffrey Hyman, 1951–2001), Johnny Ramone (born John Cummings, 1951–2004), Dee Dee Ramone (born Douglas Colvin, 1952–2002) and Tommy Ramone (born Tom Erdelyi, 29 January 1952). Gabba Gabba Hey They played their first gig at CBGBs in 1974 with Joey on drums and vocals, Johnny and Dee Dee on guitars and Tommy as manager. The line-up ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

be dark,’ Sharkey exclaimed. ‘It’s about giving people the choice.’ Sharkey’s outlook on twenty-first-century hardcore underlines the pick’n’mix element evident in the latter-day scene. Mixing hard trance, gabba, acid techno and hardcore old and new, the juvenile rush of hardcore is still evident in outposts in Germany, France, Holland and Scotland, as well ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

fast and heavy 4/4 beat, with a bar of silence followed by rapid and accelerating sequenced snare is characteristic of this style. Introduction | Dance Styles & Forms | Gabba | Dance ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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