(Vocal/instrumental group, 1982–present) As their name suggests, this UK band dealt in burning extremes of sound and volume. The original exponents of grindcore, their songs were brutally short – ‘You Suffer’ was exactly one second long – but played with maximum intensity and speed. Numerous personnel changes occurred between cult days of Scum (1986) and the metal-pounding of ...
Death metal and grindcore both had roots in the decaying thrash metal scene of the mid-1980s. As that decade concluded, musicians on both sides of the Atlantic were looking for new and horrific ways to shock. The styles ended up gravitating towards one another, but began life as very different entities. Death metal bands like Morbid Angel and Death ...
(Vocal/instrumental group, 1990–present) Fronted by Aaron Stainthorpe (vocals), this goth metal outfit formed in 1990 and released their first EP, Symponiare Infernus Et Spera Empyrium (1991). With dark lyrical concerns and matching music, they spent the 1990s building up a strong loyal following. Like Gods Of Sun (1996) aptly showcase this period sound. In recent years albums like ...
Inspired largely by heavy metal founders Black Sabbath, the doom metal bands based their sound on the slower and more ‘sludgy’ elements of Sabbath’s sound, as can be heard on ‘Planet Caravan’ from Paranoid (1970) and ‘Sweet Leaf’ from Master Of Reality (1971), rather than the faster and more brutal elements of their music. As the name suggests, ...
As part of the Renaissance (literally ‘rebirth’), which began in Italy in around 1450, the Baroque era was a revolution within a revolution. It saw a break from the Medieval view of humanity as innately sinful. Instead, Renaissance thinking cast individuals as a dynamic force in their own right and gave free rein to human imagination, ingenuity and ...
The word ‘Baroque’ is derived from the Portuguese barrocco, a term for a misshapen pearl, and it was still with this sense of something twisted that it was first applied – to the period between about 1600 and 1750 – in the nineteenth century. In 1768, Jean-Jacques Rousseau wrote: ‘a Baroque music is that in which the harmony ...
The first half of the nineteenth century was essentially a period of insurgence in Europe, from the French Revolution in 1789 to the series of uprisings that rocked the continent around 1848. Meanwhile, the Industrial Revolution was also underway, beginning in Britain, then spreading south through the rest of Europe. With these two strands of revolution came ...
The early nineteenth century was a period of insurgence in Europe, beginning with the French Revolution in 1789 to the uprisings in 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution caused transformations in society: growing awareness of national identity, ...
In 1891, when the Irish playwright Oscar Wilde (1854–1900) wrote his famous words ‘Life imitates art far more than art imitates life’, he had somehow managed to overlook the artistic realities of the late nineteenth century. By that time, after some 50 years of the High Romantic era, music and opera had brought real life on stage and ...
The late Baroque era (1700–50) was a time of major political change throughout Europe, involving a shift in the balance of power between sovereign states. Across the continent it was a period of almost continuous warfare, the effects of which were later felt in other parts of the world as a result of conflicting ambitions among the various trading ...
‘Medieval’ as a concept is very hard to define, and the period itself is just as difficult to delineate. It was a term invented by Renaissance writers who wished to make a distinction between their modernity and what had gone before. Although the onset of the Renaissance is often taken to be around the beginning of the fourteenth century, ...
There is no escaping the crucial importance of World War I (1914–18) in the formation of the Modern Age (as the first half of the twentieth century has come to be known). The war changed irrevocably the development and directions of almost all pre-war innovations in politics, society, the arts and ideas in general. Declining economic conditions also altered ...
‘Renaissance’ is a French word meaning ‘rebirth’. It has been used since the nineteenth century to describe the period between c. 1300 and 1600. Three hundred years is a long time for a single historical or cultural period, and the strain shows in any attempt to define the term ‘Renaissance’. The cultural phenomenon central to the Renaissance was a revival ...
Camille Saint-Saëns (1835–1921) is said to have written the first film score with L’assassinat du duc de Guise (‘The Assassination of the Duke of Guise’, c. 1908). Many composers in the US and Europe followed suit, although few wished to make a career in films. A famous exception was Erich Wolfgang Korngold (1897–1957), whose scores include the Academy Award-winning The ...
The ground-breaking literature of the twentieth century had a major impact on composers, particularly in the 1950s and 60s. The work of Berio has consistently drawn upon the works of James Joyce for parallels between verbal and musical technique, particularly ‘stream of consciousness’ chapters such as Molly Bloom’s soliloquy from Ulysses, while Barraqué based his entire later output ...
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David Bowie
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