SEARCH RESULTS FOR: Alan Jackson
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(Vocals, songwriter, guitar, b. 1958) Georgia-born Jackson moved to Nashville in 1985. His rise to fame came after a chance meeting between his wife, Denise, and Glen Campbell, and before long, he was a staff songwriter at Campbell’s music-publishing company. A traditionalist blue-collar act, he was the first signing to Arista’s Nashville branch ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, banjo, c. 1890–1938) New Orleans-born Charlie Jackson brought a jazzman’s sophistication to an instrument still too often overlooked by blues historians. He alternated single-string solos with percussive chording and dexterous fingerpicking, allowing him to bridge styles and genres with rare facility. He released more than 60 sides of his own, and he also recorded with Freddie ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Folklorists, John Avery Lomax 1867–1948; Alan Lomax 1915–2002) John Lomax was born in Goodman, Mississippi and raised near Fort Worth, Texas. Although his initial interest lay in cowboy songs, a pre-teen friendship with a servant named Nat Blythe sparked an interest in black music. With the 1910 publication of Cowboy Songs And Other Frontier Ballads, his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor saxophone, vocals, 1919–89) Benjamin Joseph Jackson was born in Cleveland, Ohio and replaced Wynonie Harris as male vocalist with the Lucky Millinder Orchestra in 1945. From 1947 until the late 1950s he toured with his own group, the Buffalo Bearcats. He recorded for Queen/King from 1945; among his biggest hits were ‘I Love You, Yes ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vibraphone, 1923–99) Milt Jackson diverged from his two great predecessors on vibes, Lionel Hampton and Red Norvo, by developing a linear, rhythmically inflected approach rooted in bebop rather than swing. He preferred the slightly larger vibraharp to the more familiar vibraphone, and adjusted the oscillator to give a trademark rich, warm sound. He recorded as ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1937) Born in Maud, Oklahoma, Jackson was discovered by Hank Thompson and first recorded country for Decca in 1954. After appearing on shows with Elvis Presley and a label switch to Capitol, she cut several rockabilly classics. Jackson introduced much-needed glamour to the largely male world of rockabilly, and her rasping vocal style is ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1932) Thomas ‘Stonewall’ Jackson (named after the revered Civil War general) was born in Emerson, North Carolina. He grew up in poverty and suffered physical abuse at the hands of a cruel stepfather. After running away from home at 15 and serving a four-year stint in the US Navy, Jackson worked as a sharecropper in Georgia ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘The Gallant Indians’ Composed in 1735, Les indes galantes is an opéra-ballet in which each act has its own setting and self-contained plot. Its four entrées include a scene set in a Turkish garden, Incas worshipping the sun in a Peruvian desert, a flower festival at a Persian market and a village ceremony in a North American forest. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Disc jockey, 1922–65) Freed, the DJ who gave rock’n’roll its name, fronted Moondog’s Rock’n’Roll Party at Cleveland’s WJW radio station, where he programmed mainly black R&B plus some early white rock’n’roll records. His vocal jive delighted his audience, and he also appeared in several early rock’n’roll exploitation movies, including Rock Around The Clock, Rock ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1964–90, 2001, 2012–present) The last great Motown pop group, the brothers Jackson – Jackie, Tito, Marlon, Jermaine and Michael – signed in 1968 and were groomed for a year before their debut single ‘I Want You Back’ shot to US No. 1, followed by four more chart toppers in a row ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1977–90) Studio engineer Parsons (b. 1948) had been involved with the engineering of The Beatles’ Abbey Road (1969) and Pink Floyd’s The Dark Side Of The Moon (1973) before he became a producer and, briefly, artist in conjunction with songwriter Eric Woolfson. A string of immaculately played and produced concept albums featuring guest singers and musicians ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1966) Jackson’s music career started slowly, though she performed with the family firm aged seven. The youngest of The Jacksons of Michael etc. fame, she was also a child actor but it was her third collection Control (1986), which gained her musical recognition. Produced by ace production duo Jimmy Jam and Terry Lewis – as all ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1954) Sharp-suited keyboardist and singer Jackson, from Portsmouth, rode the new wave with quirky love songs such as ‘Is She Really Going Out With Him’, and a varied US Top 20 album Look Sharp (1979). He then reverted to his musical background in jazz. With 1981’s Joe Jackson’s Jumpin’ Jive he updated big band swing. More ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The self-proclaimed ‘King of Pop’, Michael Jackson (1958–2009) was the biggest star of the 1980s following the success of Thriller (1982), which remains the world’s best-selling album with sales of more than 110 million. The King Of Pop The youngest member of The Jackson Five, Jackson signed a solo deal in 1971 with Motown Records, aged 13. Within a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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