Alex Skolnick (b. 1968) is best known as a metal guitarist with thrash pioneers Testament, but metal is just one facet of the talented guitarist’s abilities. Skolnick was born in Berkeley, California. At the age of nine, he discovered Kiss and subsequently decided to learn guitar. He was later inspired by the highly technical work of Eddie Van ...
For over 30 years, guitarist Alex Lifeson has quietly served as the cohesive key to success for progressive rockers Rush – arguably the most enduring and successful hard-rock band of all time. A guitarist always more interested in finding the right chord voicing or textural effect to make a chorus work than in shredding the frets off his axe du ...
(Me’-le Al-yek-sa’-ye-vich Ba-la’-ke-ref) 1837–1910 Russian composer Balakirev’s early piano fantasy on Glinka’s A Life for the Tsar won Glinka’s approval in 1855 and in appreciation Glinka gave Balakirev two Spanish melodies, later reworked in the Spanish Serenade. Balakirev performed Beethoven’s ‘Emperor’ Concerto before the Tsar, a highlight of a virtuoso career that culminated with his Chopin Anniversary recital in Warsaw ...
(A-lex-an’-der Bô-ro-den’) 1833–87 Russian composer Borodin joined Balakirev’s circle known as ‘The Five’ while an army doctor in 1861. He later became a professor of chemistry and founded a school of medicine for women in St Petersburg, yet in his spare time composed a highly polished, if small, output. His melodic style draws on folk music reworked into compelling ...
(Al-yek-san-der Där-go-mezh’-ke) 1813–69 Russian composer From a landowning background, Dargomïzhsky was renowned in the salons of St Petersburg as a performer and composer, while pursuing a civil service career. Emulating the example of his contemporary Glinka, Dargomïzhsky followed his first opera Esmeralda (1839) with two works of overtly Russian character based on Pushkin, Rusalka (1856) and The Stone ...
(Al-yek’-san’-der Kon-stan-te-no’-vich Gla’-zoo-nof) 1865–1936 Russian composer Glazunov was heir to the nationalism of ‘The Five’ and the cosmopolitanism of Tchaikovsky. He studied with Rimsky-Korsakov and completed many of Borodin’s works after he died, notating the overture to Prince Igor from memory. In the 1880s and 1890s he enjoyed international fame for works such as the tone-poem Stenka Razin (1885), the ballet ...
(Vocals, 1900–54) Alger ‘Texas’ Alexander’s broad-toned, pugnacious vocal delivery recalled older work songs and field hollers, while his themes evoked the hard-travelling lives of migrant workers and hoboes. His recordings on OKeh in the 1920s paired him with sophisticated instrumentalists such as Clarence Williams, Lonnie Johnson and King Oliver. In his later years, he often worked ...
(Vocal/instrumental group, 1962–67) Alexis Korner (guitar, piano, vocals), born in Paris, France in 1928, was considered to be the father of electric British blues. When he and Cyril Davies (harmonica, vocals) formed Blues Incorporated in 1962 with Dick Heckstall-Smith (saxophone), Andy Hoogenboom (bass), Ken Scott (piano) and Charlie Watts (drums), their amplified line-up met with ...
1833–87, Russian Alexander Borodin was the illegitimate son of the Georgian Prince Luka Gedianov. As was customary in nineteenth-century Russia, his irregular birth was concealed by registering him under the name of a serf owned by the prince. Borodin was in no way deprived by this lowly status, and his talent for music was actively encouraged. Even so ...
Composed: 1869–70, completed 1874–87 Premiered: 1890, St Petersburg Libretto by the composer, after Vladimir Vasil’yevich Stasov Prologue Ignoring an eclipse of the sun, Prince Igor prepares to leave Putivl’ for a campaign against the pagan Polovtsï, accompanied by his son Vladimir. Skula and Yeroshka, two musicians, decide to desert. Igor refuses to listen to the ...
1813–69, Russian Alexander Dargomïzhsky belonged to an aristocratic family in St Petersburg. He entered government service, but resigned his post in 1843. The musical training he received in his youth enabled him to build a reputation as a pianist and his acquaintance with during the winter of 1833–34 with Mikhail Ivanovich Glinka (1804–57) involved him in the movement to ...
Composed: 1866–69, completed by Cui and Rimsky-Korsakov 1870 Premiered: 1872, St Petersburg Libretto set directly to Alexander Sergeyevich Pushkin’s verse tragedy Act I Don Juan has been exiled from Madrid for murdering Don Alvaro, the commander. He has now returned in secret, accompanied by his servant Leporello, to see an old flame, the actress Laura. ...
1799–1837, Russian Russian composers of the High Romantic era were able to enjoy a ready-made source of stories for operas in the works of Alexander Pushkin. His first success was the romantic poem Ruslan i Lyudmila (1820), which Glinka used for his opera of the same name, first performed in 1842. Pushkin produced not only poetry, but essays ...
1871–1942, Austrian Dedicated to opera as a conductor and composer, Zemlinsky attracted critical acclaim, yet by the time of his death he was all but forgotten. He had his second opera, Es War Einmal (‘Once Upon a Time’, 1899), conducted and revised by Gustav Mahler for its first performance at the Vienna Court Opera in 1900. Zemlinsky ...
(Al-eks-an’-der A-gre-ko-la) c. 1446–1506 Franco-Flemish composer Probably born in what is now Belgium, Agricola was employed by, or associated with, some of the most brilliant courts in Europe, including those of Galeazzo Maria Sforza in Milan, Lorenzo de’ Medici in Florence, Burgundy and the French royal court. He composed Masses, motets, chansons and ...
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