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Benny Goodman was the first of the great bandleader virtuosos of the 1930s to achieve global success. Through a combination of personal connections, nerve, enormous talent and sheer luck, he parlayed a sequence of opportunities in 1934–35 into a payoff that changed American music. After forming his first band in New York in 1934, he won a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Alto saxophone, arranger, trumpet, vocals, 1907–2003) One of the great arrangers and soloists in jazz history, Bennett Lester Carter wrote some of the first big-band music to fully realize the flowing, legato ensemble of the coming swing movement. His saxophone ensembles were smooth projections of his solo style. ‘Lonesome Nights’ and ‘Symphony In Riffs’ were ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The drum kit is a collection of drums and cymbals played in all styles of rock, pop, jazz and blues. It is also widely used in urban music across the world, such as Afrobeat and reggae. Drum-Kit Construction A typical drum kit comprises a bass drum and hi-hat cymbal played with foot pedals, a snare drum, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Bagpipe Somewhere, perhaps in Mesopotamia, about 7,000 years ago, a shepherd may well have looked at a goat skin and some hollow bones and had an idea for a new musical instrument: the bagpipe. In the early Christian era, the instrument spread from the Middle East eastward into India and westward to Europe. By the seventeenth ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Clarinet, bandleader, composer, 1910–2004) If the 1930s comes down to about half a dozen great brand names, Artie Shaw’s is surely one of them. After much freelancing in the early 1930s and several years of band-building, Shaw (née Arthur Arshawsky) hit his stride just as Benny Goodman peaked in 1938. But no one ever confused these ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1903–71) A member of the Chicago-based New Orleans Rhythm Kings, Pollack formed his own band in 1926 and by 1928 was employing such promising young players as Benny Goodman, Jimmy McPartland, Jack Teagarden and Glenn Miller. When Pollack’s orchestra disbanded in 1934, its membership became the core group for Bob Crosby’s orchestra. Pollack became the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Bessie Smith was one of the greatest vocalists of the twentieth century; her emotional delivery and exquisite phrasing has been an influence on instrumentalists as well as innumerable singers, both male and female. Many of her records, including ‘Gimmie a Pigfoot’, ‘Woman’s Trouble Blues’, ‘St. Louis Blues’ and the song that became an anthem of the Great Depression, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1910–51) Catlett was one of the most well-respected and versatile jazz drummers of the 1930s and 1940s. He played in a variety of ensembles under such luminaries as Benny Carter, Fletcher Henderson, Benny Goodman and Duke Ellington, before going on to join Louis Armstrong’s All-Stars. Catlett’s remarkable adaptability enabled him to play in a wide range ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Billie Holiday was entirely untrained as a singer, but drew on the example of popular recording artists such as Bessie Smith and Louis Armstrong in developing her musical approach. She was able to make much of poor songs as well as great ones. Her phrasing, intonation, attention to the weight and nuance of lyrics, and her lightly ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, b. 1966) A French gypsy, Lagrene was hailed as Django Reinhardt’s heir upon the release of his first album at the age of 13. He has performed gypsy jazz in the company of swing veterans Benny Carter, Benny Goodman and Stéphane Grappelli, but has also developed a personal, fusion-oriented style and mixes both approaches in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1908–41) Fuller was born Fulton Allen in Wadesboro, North Carolina and was one of 10 children. He learned to play guitar as a teenager and by the mid-1920s was working for tips around Rockingham, North Carolina. He had lost his sight by 1928. He teamed up with artists such as Gary Davis, Bull City ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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