(Bandleader, vocals, entertainer, 1907–94) Cabell Calloway’s orchestra was one of the most successful black bands of the 1930s and by the end of the decade it was home to some of the finest jazz soloists. He arrived in Chicago in the late 1920s and found his niche as a singer, then went to New York, where ...
(Alto saxophone, arranger, trumpet, vocals, 1907–2003) One of the great arrangers and soloists in jazz history, Bennett Lester Carter wrote some of the first big-band music to fully realize the flowing, legato ensemble of the coming swing movement. His saxophone ensembles were smooth projections of his solo style. ‘Lonesome Nights’ and ‘Symphony In Riffs’ were ...
(Tenor saxophone, 1908–41) Inspired by Coleman Hawkins’ big sound, Leon ‘Chu’ Berry honed a more rapid, streamlined tenor attack. He recorded with Benny Carter in 1933 and joined Fletcher Henderson three years later. In 1937 he topped Down Beat’s first national poll of leading musicians and joined Cab Calloway’s orchestra, where he remained until his death. Berry ...
(Banjo, guitar, educator, 1909–94) Daniel Moses Barker carried forth the musical traditions of New Orleans, playing with a number of traditional bands in the 1920s and 1930s before marrying Louise Dupont (a.k.a. Blue Lu Barker) in 1930. They recorded several sides together in 1938, including Barker’s own song ‘Don’t You Make Me High’, revived ...
John Birks ‘Dizzy’ Gillespie shares the credit for creating bebop with Charlie Parker, but his place in the history of twentieth-century music rests on a considerably wider achievement. He was born in Cheraw, South Carolina in 1917 and acquired his nickname in the 1930s. He moved to New York and worked in big bands with Teddy Hill, Lionel ...
(Trumpet, vocals, 1905–97) Adolphus Cheatham played in countless bands and small groups in the 1920s, before settling in the Cab Calloway orchestra in 1931. He remained with Calloway until 1939, after which he resumed work with a variety of bands. He didn’t emerge as a soloist until the 1960s, working with George Wein, Benny Goodman ...
(Clarinet, bassoon, 1902–91) Jazz’s first double-reed specialist on bassoon, Bushell played with Mamie Smith’s Jazz Hounds before a two-year stint with Sam Wooding’s Orchestra (1925–27). In 1928 he formed the Louisiana Sugar Babies with Fats Waller and Jabbo Smith, and he later worked with Otto Hardwick (1931), Fess Williams (1933), Fletcher Henderson (1935–36), Cab Calloway (1936–37) and ...
(Clarinet, 1892–1940) The premier New Orleans clarinetist of the 1920s, Dodds played in Kid Ory’s band from 1912–19 and then alongside Louis Armstrong and his own brother, Warren ‘Baby’ Dodds, in Fate Marable’s riverboat band. Dodds left New Orleans in January 1921 to join King Oliver’s Creole Jazz Band in Chicago, taking part in that influential ...
(Trumpet, vocals, 1909–2000) By the time Jonah Jones came to prominence on New York’s 52nd Street, he had developed a fierce, intense attack that suggested Roy Eldridge without the high notes. He played and recorded with Stuff Smith from 1936–40 and on sessions with Teddy Wilson, Billie Holiday and Lionel Hampton. He worked with Cab Calloway ...
(Trumpet, 1911–93) Mario Bauzá takes a large amount of credit for bringing music from his native Cuba into jazz. He worked with Noble Sissle and Chick Webb in New York in the 1930s before teaming up with Machito. While with Cab Calloway in 1939–40 he sparked Dizzy Gillespie’s interest in Cuban music, which eventually led to ‘Cubop’. He was ...
(Drums, 1918–2001) David Albert Francis was born in Miami, Florida. He worked around Florida with saxophonist George Kelly before going to New York in 1938. The following year he made his recording debut with Roy Eldridge, who named him after his choice of hats. Francis worked with Lucky Millinder from 1940–46 and Cab Calloway from 1947–52 but his ...
Aaron Thibeaux Walker was born in Linden, Texas on 28 May 1910, the only child of Rance and Movelia Walker. The family moved to Dallas in 1912 and as a pre-teen Walker would lead Blind Lemon Jefferson around the Dallas streets. He taught himself guitar and worked streets and functions until he toured with various travelling shows in the ...
The first bluesman to record with an electric guitar, T-Bone Walker (1910–75) shaped the course of post-war blues, influencing everyone from B.B. King and Chuck Berry to Jimi Hendrix and beyond. B.B. King acknowledges that the first time he heard Walker, he knew he had to get an electric guitar, and Berry and Hendrix took ...
(Vocal/instrumental group, 1978–present) Jake and Elwood Blues began life in a 1976 Saturday Night Live sketch featuring John Belushi and Dan Aykroyd singing ‘I’m A King Bee’ dressed as giant bees. The show’s musical director, Paul Shaffer helped assemble a band to support comedian Steve Martin in 1978. They recruited legendary Booker T. And The M.G.s guitarist ...
(Guitar, vocals, 1900–52) An associate of Charley Patton, Brown was a part of the Mississippi blues scene in the early 1920s. While he started out playing with Patton and Tommy Johnson, he teamed up with Son House in 1926 and accompanied his Paramount session in May 1930, also cutting four songs of his own. Brown played ...
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David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.