(Alto saxophone, 1928–75) Julian ‘Cannonball’ Adderley and his brother, trumpeter Nat, presided over one of the 1960s’ hippest hard-bop outfits with pianist Joe Zawinul; ‘Mercy, Mercy, Mercy’ was one of their crossover hits. Adderley had been employed as a Florida school band director when he was overheard at a New York gig and was encouraged by ...
Bill Evans was one of the most lyrical and romantic of all jazz pianists. His distinctive lightness of touch and singing tone on the piano shone most brightly in his favoured trio settings with compatible bass players and drummers, including famous line-ups that featured Scott LaFaro and Paul Motian, and later Eddie Gomez and Marty Morrell. Evans was born ...
(Piano, electronic keyboards, b. 1932) Born in Vienna, Josef Zawinul was 27 when he arrived in the US on a music scholarship, but this relatively late start did not prevent him from becoming an enormously influential composer and bandleader. Following brief stints with Dinah Washington and Maynard Ferguson, Zawinul joined Cannonball Adderley’s band as musical director ...
By the time John Coltrane died in 1967 at the age of 40, he had experienced one of the most remarkable careers in music. ‘Trane’ was a compelling voice who contributed to some of jazz’s greatest innovations, from bebop to free jazz, resulting in both controversy and enduring success through critical and popular acclaim. Revered during his lifetime ...
The history of post-war jazz tracked the musical development of Miles Dewey Davis III so closely that it is tempting to see the trumpeter as the orchestrator of each of the most significant stylistic shifts of the era. With the notable exception of free jazz, Miles seemed to trigger a new seismic shift in the music with each passing decade. ...
(Piano, b. 1930) Muhal Richard Abrams was one of the principal architects of free jazz in Chicago. After playing with Eddie Harris and the MJT+3, Abrams founded his Experimental Band in 1961 to explore original composition and new directions. In 1965 he founded the Association for the Advancement of Creative Musicians (AACM), which emphasizes creativity, professionalism and social ...
(Bass, piccolo bass, b. 1937) A consummately professional bassist, Ron Carter possesses a distinctive tone and phenomenal dexterity that place him at the upper level of jazz rhythmists. In the early 1960s Carter joined drummer Chico Hamilton’s popular quintet, then worked with Eric Dolphy, Don Ellis, Thelonious Monk, Cannonball Adderley and Art Farmer. From ...
Wes Montgomery (1925–68) emerged in the Fifties and gained a wide following in the cool jazz movement before turning to pop-jazz in the Sixties. With his unique use of lead lines played in octaves with his left hand and strummed by his right-hand thumb, Montgomery mixed jazz harmonies with R&B rhythms to gain a pop following and exert broad influence ...
Hard bop evolved out of bebop during the early 1950s but its rhythms were more driving and syncopated. Hard bop also tended to have a more full-bodied sound, a bluesy feel with darker textures and shorter improvised lines, and its chord progressions were usually composed rather than borrowed from popular tunes. Although Miles Davis made an early foray into ...
Soul jazz stood out from other previous jazz forms. Its melodies were simpler and more rhythmic compared to hard bop, and influences from gospel and R&B were evident. In more traditional jazz forms, soloists would follow walking basslines or metric cymbal rhythms. In soul jazz, they followed a whole groove, which encouraged a different style of phrasing. ...
The 1950s was a big decade for blues and jazz – arguably, the biggest. In the wake of international triumph and the stirrings of empire, the US enjoyed a boom of babies, cars, television, and urban and suburban development, that trickled down to embolden a stronger movement for civil rights for black people, inspired ...
The cultural momentum of the 1950s spilled directly into the 1960s – arguably, the change of the decade (and century) in jazz was 1959, when Dave Brubeck, Miles Davis, Ornette Coleman, John Coltrane, Gil Evans, Lambert, Hendricks & Ross, Jackie McLean, Charles Mingus, Thelonious Monk, Wes Montgomery, Sun ...
By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...
As a member of the first family of country music, Maybelle Carter (1909–78) distinguished herself far beyond her role as accompanist to her brother-in-law A.P. Carter and his wife Sara (Maybelle’s cousin) in the Carter Family, the first recording stars of country music. Maybelle was born Maybelle Addington in Nickelsville, Virginia. In 1926 she married Ezra J. ...
Merle Travis was both a vital cog in the development of the West Coast country scene and a major influence on a whole generation of guitarists. Highly innovative, he had a style of three-finger playing named after him – ‘Travis picking’ – and the equally skilled Chet Atkins well acknowledged the Travis influence, although the latter modestly shrugged off ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.