SEARCH RESULTS FOR: Erik Satie
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(A-rek’ Sa-te’) 1866–1925 French composer For a long time regarded as a mere joker because of his apparently absurd and flippant titles – ‘Genuine Limp Preludes (For a Dog)’, ‘Bureaucratic Sonatina’ – Satie is now regarded as a major figure in his own right, as well as an influence both on his contemporaries Debussy and Ravel and on many more ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

1876–1971 American composer Ruggles wrote only a handful of works, of which the most important are the orchestral Men and Mountains (1924) and Sun-Treader (1926), Portals (1926) for strings and Angels (1924) for brass ensemble. They exhibit a boldly powerful, big-boned atonal style that at times approaches his friends Ives and Varèse, but remains independent. He worked slowly ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1862–1918, French Debussy wrote only one opera that has entered the repertoire, but there were many other compositions without which this masterpiece among masterpieces may never have come into being. His lover, the singer Marie-Blanche Vasnier, some years his elder, had deepened his understanding of literature in his early twenties, and his interest in poetry ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Ambient music has existed since the late-nineteenth century. Although Brian Eno was the first artist to use the term ‘ambient’ to describe his music on his 1978 album, Music For Airports, composers like Claude Debussy and Erik Satie, with their notion of composing pieces to complement listening surroundings, broke with musical conventions and expectations. Frenchmen Erik Satie ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The 1860s saw a number of major reorganizations in European politics. Italy became a united country under the king of (former) Piedmont-Sardinia, Victor Emmanuel II, in 1861 and its new national government tried to retain the kingdom’s liberal ideals, such as removing instances of operatic and intellectual censorship. However, Italy’s liberalism was not aspired to by other ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Modern Age was characterized by rapid and radical change and political turmoil. By 1918 the Russian tsar, the Habsburg emperor and the German kaiser had lost their thrones. The two Russian revolutions of 1917 resulted in a Communist government led by Vladimir Ilyich Lenin. The Austro-Hungarian Empire was fragmented to allow self-determination to the newly formed countries of Czechoslovakia ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The influence of jazz on concert music stretches back almost to the emergence of jazz itself from roots in gospel, ragtime and blues. One of the most popular black American dances of the 1890s was taken up by Debussy in his ‘Golliwog’s Cakewalk’ (from the piano suite Children’s Corner, 1906–08). Ragtime found its way into Satie’s ballet Parade and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

‘The Flying Dutchman’ Initially a one-act opera, Der Fliegende Holländer was later expanded to three. Wagner was anxious to make sure it was performed in the way he wished, and wrote detailed production notes for the directors and singers. He also conducted the first performance at the Hofoper or Court Opera in Dresden on 2 January 1843. Although Wagner ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The twentieth century has seen a wealth of special effects employed in music, in much the same way as they are used in film, beginning with the intonarumori (‘noise-intoners’) invented by Luigi Russolo. A football rattle (called a ‘bird scare’ by the composer) was required by Havergal Brian (1876–1972) for his Gothic Symphony No. 1 (1927). The sound of ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Kärl Nel’-sen) 1865–1931 Danish composer Nielsen was born of working-class parents on the island of Funen; his father was well known locally as a folk fiddle-player. After a period in a military band, he studied the violin and for some years made his living as an orchestral violinist, then as a conductor. At the centre of his output are ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Hoo’-go Vulf) 1860–1903 German composer A fervent Wagnerian, Wolf worked in Vienna as a music critic. As a composer he was master of the miniature: his songs are mini-dramas which encapsulate Wagnerian expression within a lyrical, intimate form, the subtle vocal melodies matched by an equally important, symphonic piano part. The first collections, settings of poems by ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Mo-res’ Ra-vel’) 1875–1937 French composer Ravel is often described (like Debussy, but still more misleadingly) as an ‘Impressionist’, but Ravel’s music is in fact precisely and delicately crafted, subtly perfect in its artifice (in the best sense of the word). Influenced by Emmanuel Chabrier (1841–94), Satie and his close friend Stravinsky, attracted to Spain temperamentally (he never visited ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The guitarist in Genesis from 1970–77, Steve Hackett developed a technical skill and tone control that was a vital factor in shaping the band’s music. He also helped to steer the post-Peter Gabriel Genesis towards a new style before leaving to pursue a solo career. An undemonstrative performer, Hackett has been a major influence on guitarists looking beyond the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

1896–1989 American composer Thomson was trained in Paris (where he lived for many years) by Nadia Boulanger, and was friendly with several of ‘Les Six’, but his own music is more influenced by Satie and is deeply rooted in American folk music and hymns. It is melodically fresh, harmonically plain and of great simplicity; he was an influence on ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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