(Trombone, 1904–44) Glenn Miller was a trombonist of modest accomplishments, but he became one of the most famous big-band leaders in jazz. Although disdained by jazz purists, tunes such as ‘In The Mood’, ‘Moonlight Serenade’, ‘String Of Pearls’ and ‘Tuxedo Junction’ have remained enduringly popular. Miller’s bands played precisely executed riff-based swing tunes and very slow ballads; his ...
Clad head-to-toe in studded black leather and featuring a thundering rhythm section, a dynamic twin-guitar assault and one of the purest rock vocalists in music history, it simply doesn’t get any more ‘metal’ than Judas Priest. And the man behind many of the band’s greatest riffs and solos is guitarist Glenn Tipton (b. 1947). Born in Blackheath, England ...
(Trumpet, cornet, 1894–1971) One of the leading New Orleans cornettists during the 1920s, Ernest ‘Punch’ Miller moved to Chicago in 1926 and found work with fellow New Orleanians Freddie Keppard and Jelly Roll Morton, as well as with Tiny Parham and Albert Wynn’s Gutbucket Five. He spent the 1930s in New York before returning to Chicago. In ...
(Piano, arranger, 1909–85) Lloyd Colquitt Glenn Sr. was born and raised in San Antonio, Texas. He worked with several southwestern territory bands before joining Don Albert in 1934 in the role of pianist and chief arranger. He moved to California in the early 1940s. Glenn became the prototype of the studio pianist-arranger for blues and R&B record dates ...
(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...
(Piano, vocals, songwriter, publisher, 1895–1955) A Memphis riverboat pianist and bandleader, Miller got into the publishing and songwriting business in his twenties. Moving to New York, he worked for several labels as a record producer, supplying acts like Gene Autry and Cliff Carlisle with material of his own, such as ‘Twenty-One Years’, ‘Seven ...
(Vocals, songwriter, 1936–92) Born in Fort Worth, Texas, Roger Dean Miller wrote and recorded a string of brilliant novelty hits that earned him 11 Grammy Awards, as well as country and pop stardom during the 1960s. Chief among his self-penned songs are ‘Dang Me’, ‘Chug-A-Lug’ – both hits in 1964 – ‘King Of The Road’ and ...
(Vocals, guitar, b. 1952) Miller is short and stocky, just like Buck Owens, and applies a similar thick hillbilly twang to similar down-to-earth, hard-country songs. Julie Miller (vocals, b. 1956) is as tall and willowy as Joni Mitchell, and writes the same sort of poetic, folk-rock songs for the same sort of reedy ...
1932–82 Canadian pianist Although renowned as a concert pianist from the age of 14, Gould constantly sought new ways of communicating music through the popular media of the time. To this end, he gave up concerts in 1964 and concentrated on making recordings. His interpretations, notably of J. S. Bach, were controversial but had many admirers. He ...
(Vocal/instrumental group, 1966–86) A cauldron of blues and psychedelia, 1968’s Children Of The Future was a US Top 30 entry for a California-based outfit in which the only constant would be Miller (guitar, vocals), though first singer Boz Scaggs enjoyed solo success. Becoming more radio-friendly, Miller made greater impact from the early 1970s with US chart-toppers ‘The ...
A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...
(Piano, vocals, 1927–80) Joseph Amos Milburn Jr. was born in Houston, Texas, and he began recording in 1946 for Aladdin records. Milburn was an exceptionally popular performer between the late 1940s and mid-1950s, with number-one R&B hits such as ‘Chicken Shack Boogie’, ‘Bewildered’ and ‘Roomin’ House Boogie’ (all 1948–49). Beginning in 1949, he toured and ...
(Drums, 1903–71) A member of the Chicago-based New Orleans Rhythm Kings, Pollack formed his own band in 1926 and by 1928 was employing such promising young players as Benny Goodman, Jimmy McPartland, Jack Teagarden and Glenn Miller. When Pollack’s orchestra disbanded in 1934, its membership became the core group for Bob Crosby’s orchestra. Pollack became the ...
(Trumpet, cornet, guitar, 1915–76) After Bobby Hackett was praised in Down Beat by Boston critic George Frazier in 1937, he headed to New York and settled into a group of neo-traditional players loosely associated with Eddie Condon. Although a lifelong fan of Louis Armstrong, Hackett’s gentle, fluid lyricism made him a more logical descendent of ...
(Trumpet, vocals, 1900–82) Born in New Orleans, Joseph ‘Wingy’ Manone’s rousing trumpet and gravelly vocals were (as with his fellow Italian-American, Louis Prima) confidently cast from the Armstrong matrix. After scoring a hit with ‘Isle Of Capri’ in 1935, he became a fixture on New York’s 52nd Street before moving to California in 1940 to join ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.