Indie guitarist Graham Coxon (b. 1969) was born in West Berlin, the son of an army bandsman. His early years were characterized by the itinerant army life until the family settled in Colchester in the late 1970s. The young Coxon was a Beatles fan and possessed a talent for art. He began to learn saxophone and then at 12, ...
Davey Graham (b. 1940) (originally Davy Graham) is a guitarist who is credited with sparking the folk-rock revolution in the UK in the Sixties. He inspired many of the famous fingerstyle guitarists, such as Bert Jansch, John Renbourn, Martin Carthy, Paul Simon and even Jimmy Page, who heavily based his solo ‘White Summer’ on Graham’s ‘She ...
(Vocals, guitar, b. 1959) Graham was, like Alejandro Escovedo, an alumnus of The True Believers, who found in alt.-country an effective catalyst for fusing his Mexican-American childhood and his punk-rock youth. With a rumbling baritone not unlike Tom Waits’, Graham wrote haunting songs about real despair and possible redemption on such albums as 2002’s Hooray ...
(Vocal/instrumental group 1963–68) Though Dick Heckstall-Smith (saxophone), Jack Bruce (vocals, bass) and John McLaughlin (guitar) became respective mainstays of Colosseum, Cream and The Mahavishnu Orchestra, it is too sweeping to say that this group was most notable for those members who went on to greater success. The late Bond (vocals, keyboards, saxophone) was one of the ...
Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...
(Vocal/instrumental group, 1989–2003, 2009–present) Formed at London’s Goldsmiths College, Damon Albarn (vocals), Graham Coxon (guitar), Alex James (bass) and Dave Rowntree (drums) tuned into the vibe generated by The Stone Roses with baggy anthems ‘She’s So High’ and ‘There’s No Other Way’. Although Leisure (1991) showed a band adept at updating 1960s pop, Modern Life Is Rubbish ...
By the early 1990s British pop and alternative fans were crying out for homegrown pop that combined old-fashioned rock charisma with lyrics and a definitively British sound, to counteract the manufactured teen acts, Euro-dance novelties and US imports. This arrived in the mid-1990s in the shape of Britpop: a wave of guitar bands with short, sharp pop songs. ...
June The Meltdown Festival When Robert Wyatt was asked to curate the Meltdown Festival at the Royal Festival Hall, London, in June 2001 an eclectic mix of artists was guaranteed. The surprise package was Dave Gilmour agreeing to play in a venue that only seated 2,000 people with no room for airships and inflatables. Concentrating on the music ...
Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...
Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...
Based on a series of eight Hogarth paintings, this opera was first performed on 11 September 1951 at Il Teatro La Fenice in Venice. In The Rake’s Progress, Stravinsky’s neo-classical style maintains a clear delineation of musical numbers separated by recitatives (accompanied by harpsichord), and as such it has often been considered a stylistic companion to the works of ...
(Vocal group, 1972–95) A multi-skilled foursome who operated from the self-owned Strawberry Studios, Stockport. Eric Stewart, Lol Creme, (both guitar, keyboards) Graham Gouldman, (bass) and Kevin Godley (drums) wrote, sang and produced four albums of inventive pop/rock from 1973–76. Their 1975 No. 1 ‘I’m Not In Love’ was also a Stateside smash. 10cc split ...
Blues-rock guitarist Alvin Lee was born Graham Barnes in Nottingham in 1944. Inspired by rock’n’roll guitarists Chuck Berry and Scotty Moore, Lee began to play at the age of 13, and formed his first band, Ivan Jay & The Jaymen, in 1960. Lee became lead vocalist in 1962 when the band changed their name to The Jaybirds ...
(Vocal group, 1969–73, 1980–83) A British progressive rock band founded by ex-Crazy World Of Arthur Brown members Vincent Crane (organ) and Carl Palmer (drums), plus bassist Nick Graham. After one self-titled album in 1970, Palmer and Graham left and were replaced by John Cann (guitar, vocals) and Paul Hammond (drums), scoring two UK hit singles ‘Tomorrow Night’ ...
(Founder, Motown Records, b. 1929) Gordy co-wrote Jackie Wilson’s ‘Reet Petite’ in 1957 while working on Detroit’s Ford assembly line and started Motown in 1959 with an $800 loan, creating a factory-like hit-making process. Gordy scouted talented Detroit performers and matched them to equally talented in-house writers and producers. He fostered a family atmosphere of (mostly) friendly rivalry ...
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David Bowie
Fantastic new, unofficial biography covers
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