SEARCH RESULTS FOR: Harlan Howard
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(Songwriter, vocals, guitar, 1929–2002) Harlan Howard, inspired by Ernest Tubb, first began reaping his songwriting rewards in the late 1950s. ‘Pick Me Up On Your Way Down’ (1958) was his first hit when recorded by Charlie Walker, followed by ‘Heartaches By The Number’ (1959), which covered country and pop by Ray Price and Guy Mitchell ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Bandleaders, 1940s) Curley Williams (1914–70) and Paul Howard (1908–84) were – outside of Pee Wee King – the chief exponents of western swing east of the Mississippi during the music’s 1940s heyday. Both led excellent, hot bands on the Grand Ole Opry and both found it necessary to leave the Opry in order to play the music they wanted ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1896–1981 American composer Hanson’s symphonies suggest an American Sibelius; his choral music is grandly optimistic (Song of Democracy, 1957; Songs of Human Rights, 1963) and his opera, Merry Mount, was well received at its premiere in 1933. He was Director of the Eastman School of Music for many years, where he made a notable reputation as ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Although Bakersfield had already played host to a number of country-music artists, it was Buck Owens (1929–2006) who not only put it on the map, but also spread its name around the world. So great was his impact, some even called it ‘Buckersfield’. The Road To Bakersfield Hailing from Sherman, Texas, and born Alvis Edgar Owens ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, b. 1926) A regular on the Town Hall Party, Alabama-born Freddie Hart arrived in Los Angeles following a troubled childhood, a couple of years in the Marines (enrolling when he was only 15), and travelling across the nation. His 1950s association with Capitol and Columbia resulted in some fine, though overlooked, country and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1971) Evans moved to Nashville in 1991, where she met her husband, Craig Schelske. In 1995, her demo of the 1965 Buck Owens hit ‘I’ve Got A Tiger By The Tail’, attracted the attention of the song’s writer, Harlan Howard, and led to her signing with RCA Records and her much-hailed traditional country ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘The fiddle and guitar craze is sweeping northward!’ ran Columbia Records’ ad in Talking Machine World on 15 June 1924. ‘Columbia leads with records of old-fashioned southern songs and dances. [Our] novel fiddle and guitar records, by Tanner and Puckett, won instant and widespread popularity with their tuneful harmony and sprightliness… The records of these quaint musicians which ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

At the beginning of the 1970s, the influences in mainstream country music continued to originate from a wide spread of sources, the most dominant being the Nashville sound, which now had strong pop overtures alongside a greater distortion of country music itself. On the other hand, an innovative breed of songwriters were about to be heard, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The piano has occupied a special place in music and, since the advent of amplification, musicians have sought ways in which its expressive, versatile sound could be made louder in order to carry above the sound of other amplified instruments and also how it could be packaged into an instrument more easily transportable than the traditional acoustic piano. ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

‘Alceste, or the Triumph of Alcide’ Composed in 1674, Lully’s Alceste, ou le triomphe d’Alcide, a tragédie lyrique with a prologue and five acts, had a double link with ancient Greek culture. The libretto, by Philippe Quinault, was based on Alcestis, a tragedy by the ancient Greek dramatist Euripides that in turn derived ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Charlie Christian was the last great figure to emerge from the jazz scene of the 1930s. He not only brought a perfectly formed approach to his music, but also an entirely new musical platform – the electric guitar. His career in the big time was brief, but Christian was a lighthouse whose beam still illuminates anyone with serious intentions ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Songwriter, vocals, 1918–2006) The sophisticated songs of Cindy Walker were particularly attractive to western-swing performers like Bob Wills, whose recordings helped establish her as one of the top songwriters in country music. From Mart, Texas, Walker also sang, recorded and appeared in films with Texas Jim Lewis. Over time, she concentrated solely on writing ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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