SEARCH RESULTS FOR: Harry Partch
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In the twentieth century, some musicians became interested in inventing new acoustic instruments that could take music beyond the tuning systems, scales and harmonic language inherent in the instruments commonly played in western classical music. Creating new instruments created a revolutionary new sound world. New instruments were often promoted outside the normal scope of the bourgeois concert audience, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(Trumpet, 1916–83) Harry James grew up in a circus and went on to become a media celebrity as a bandleader, a fame that only intensified when he married actress Betty Grable in 1943. James made his initial reputation as a formidable trumpet player with Benny Goodman’s band before forming his own group in 1938, but lost some of ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Fiddle, guitar, vocals, 1922–51) Harry Choates is one of the tragic figures of country music. A charismatic fiddler reared along the Louisiana-Texas Coast, he combined Cajun styles with western swing and hit with ‘Jole Blon’ in 1946. The hard-living, alcoholic Choates (who was even more skilled on guitar than fiddle) soon spiralled out of control. When ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1927) Born in Harlem to Caribbean parents, the young Belafonte lived in Jamaica for five years. Multi-talented, he starred on stage and screen (in Carmen Jones, 1954), becoming a folk singer in 1955. He led a brief calypso craze with ‘Jamaica Farewell’, ‘Mary’s Boy Child’ and the million-selling ‘Banana Boat (Day-O)’. The title song from ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Varèse was particularly interested in the sounds of the modern urban world. His music takes a sound world derived from factories and industrialization and turns them into music. But it took the off-beat genius of Ligeti to compose a work entirely for special effects: his Poème symphonique (1962) has passed into musical folklore as the piece of music written for 100 ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Nineteenth-century music had developed with an unprecedented awareness of its own history, and by 1900 the European musical legacy seemed as permanent and unshakeable as the institutions – the opera houses, concert halls and conservatories – that nurtured it. Above all, classical tonality and its associated forms and genres, now the everyday stuff of textbooks, had ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The most successful librettist of the modern era was W. H. Auden, who provided texts for Britten’s first opera, Paul Bunyan and, in collaboration with Chester Kallman, for operas by Stravinsky (The Rake’s Progress), Henze (Elegy for Young Lovers, 1961; The Bassarids, 1966), and for less acclaimed works by John Gardner (1917–2011) and Nicolas Nabokov ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Mellotron and its predecessor the Chamberlain were in effect the earliest examples of a sample playback instrument. Chamberlain In 1949, Californian inventor Harry Chamberlain, patented the Chamberlain MusicMaster. It was the first commercially available instrument to use pre-recorded lengths of tape mounted within a keyboard in such a way that, whenever a key was depressed, a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Like the synthesizer, the sampler has had a huge influence on the course of electronic music. A sampler is an instrument that can record, store and replay brief sections of audio – ‘samples’. In many ways, the Mellotron might be regarded as the earliest example of a sampling instrument. However, the sampler really came into its own ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The saxophone occupies an unusual position in that it is a bespoke instrument that has barely changed since its creation. Although it does not occupy the position in the orchestra its creator had envisaged, Adolphe Sax’s invention has played a central part in music ever since it burst on to the scene in the 1840s. Sax’s father, Charles, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The mid-1730s operas Orlando, Ariodante and Alcina represent the artistic peak of Handel’s operatic career. Their stories all originate in the epic poem Orlando Furioso by the playwright and poet Ariosto, who was born and bred at the Ferrara court in the late fifteenth century. Orlando portrays the destructive insanity of its title-hero, who ignores his destiny by ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

European culture lay in ruins after the end of World War II. There were many who, in company with the philosopher Theodor Adorno, felt that Nazi atrocities such as Auschwitz rendered art impossible, at least temporarily. Others, though, felt that humanity could only establish itself anew by rediscovering the potency of art, including opera. On ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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