SEARCH RESULTS FOR: Hoyt Axton
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(Vocals, songwriter, actor, 1938–99) Axton’s mother, Mae Boren Axton, co-wrote ‘Heartbreak Hotel’, and Hoyt himself enjoyed his greatest success through other artist’s covers of his songs – ‘Greenback Dollar’ (Kingston Trio), ‘Joy To The World’ (Three Dog Night) and ‘The Pusher’ (Steppenwolf). Popular in the UK through his 1979 singles ‘Della And The Dealer’ and ‘A ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Various saxophones and clarinets, flute, piano, b. 1945) ‘I’ve been isolated and kicked out of jazz as a black man who is not “black” enough, a jazz guy who is not “jazz” enough,’ said Chicago native Braxton, looking back on a highly iconoclastic career that has been documented on more than 130 recordings. After military ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1968) Initially singing with her sisters as The Braxtons, she was signed as a solo artist to La Face productions (L.A. Reid and Babyface) in 1991. This production/writing team crafted her eponymous debut (1993). At ease with soul vocals and the rhythms of R&B, the attractive Braxton was soon scoring hits with emotive ballads like ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, songwriter, b. 1941) The archetypal Texas troubadour, Clark cannot be called prolific, having released about 10 original albums since his 1975 debut, Old No. 1. Born in Monahans, West Texas, Clark worked in television, as a photographer and building boats and guitars. Influenced by bluesman Mance Lipscomb, he worked the Texas ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1947) The daughter of songwriter Liz Anderson (b. 1930, whose hits included ‘All My Friends Are Gonna Be Strangers’ and ‘The Fugitive’ for Merle Haggard), Anderson enjoyed success in equestrian competitions during the mid-1960s before turning to music. After a dozen hits on Chart Records, she signed to Columbia (1970–80), where she quickly achieved her million-selling ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

James Joseph McGuinn (b. 1942) was raised in Chicago and became a fan of folk music as a teenager. He asked for and received a guitar from his parents after hearing Elvis’s ‘Heartbreak Hotel’. In 1957, McGuinn entered Chicago’s Old Town School of Folk Music, where he studied five-string banjo and guitar. McGuinn’s skills and solo performances attracted the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Waylon Jennings (vocals, guitar, 1937–2002) was a teenage disc jockey in Lubbock, Texas, when he first met the hometown hero Buddy Holly (1936–59). Holly produced Jennings’ first single, ‘Jole Blon’, in September 1958, and hired Jennings as his bassist the following January. On 3 February 1959, Jennings was all set to take a charter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Founder, Stax Records, b. 1930) Stewart founded Memphis-based Stax Records in 1957 with his sister, Estelle Axton. Local musicians became the house band, Booker T. And The M.G.s. Their backing on many recordings defined the gritty Southern Soul sound. An early hit by Carla Thomas attracted Atlantic, who took options on all Stax releases ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The story of soul’s Golden Age is linked with the story of two American record labels: Berry Gordy’s Motown and Jim Stewart & Estelle Axton’s Stax. They discovered artists, wrote songs and developed recording and marketing methods that would irrevocably change popular music, and have a profound effect on the perception of race all over world. Motown’s base in ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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