SEARCH RESULTS FOR: João Gilberto
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(Vocals, guitar, b. 1931) João Gilberto came to the notice of the wider jazz public in the wake of saxophonist’s Stan Getz’s successful Jazz Samba (1962). Gilberto had earlier been working with composer Antonio Carlos Jobim on a development of the samba known as ‘bossa nova’, and Getz translated that form into a popular success. The subsequent Getz/Gilberto (1963) ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Composer, piano, guitar, 1927–94) Jobim was the best known of the Brazilian composers who made an impact on jazz. His international reputation blossomed due to his songs in the film Black Orpheus (1959) and with João Gilberto he sparked a bossa nova craze, boosted by Stan Getz and Charlie Byrd’s Jazz Samba (1962). He led his own ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Latin America is particularly rich and varied in its musical traditions, with each country boasting a broad and very distinct collection of genres whose development has been shaped by indigenous rhythms, migration patterns from Europe and the influx of slavery. At the uppermost tip of Latin America is Mexico, a country whose musical sub-genres are too many to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The cultural momentum of the 1950s spilled directly into the 1960s – arguably, the change of the decade (and century) in jazz was 1959, when Dave Brubeck, Miles Davis, Ornette Coleman, John Coltrane, Gil Evans, Lambert, Hendricks & Ross, Jackie McLean, Charles Mingus, Thelonious Monk, Wes Montgomery, Sun ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1921–99) Lowell Fulson was born in Tulsa, Oklahoma and began his professional career in Oakland, California. He made his recording debut in 1946 and by 1950 he was a hitmaker for Swingtime Records with such songs as ‘Every Day I Have The Blues’ and ‘Blue Shadows’. His band at this time featured a relatively unknown ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

In the mid-1950s, a cultural cross fertilization of Brazilian samba rhythms, American cool jazz and sophisticated harmonies led to the development of bossa nova. In the early 1960s the bossa nova movement swept through the United States and Europe producing a strain of Brazilian-influenced jazz that remains a vital part of the jazz scene. By the early 1950s, a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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