SEARCH RESULTS FOR: Kingston Trio
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(Vocal/instrumental group, 1958–67) Between 1958, when they formed, and 1963, The Kingston Trio, comprising Dave Guard (vocals, banjo) and vocalists/guitarists Bob Shane and Nick Reynolds released 17 albums, 10 of which made the US Top 3, and seven of which were certified gold. Wearing matching striped shirts and with short hair, parents ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental trio, 1954–57) Johnny (1934–64), brother Dorsey (1932–79) and guitarist Paul Burlison (1929–2003) were roughnecks from Memphis who played the local clubs during the early 1950s. They earned a recording contract with Coral after winning a televized talent show in New York, and cut some classic rockabilly before disbanding in 1957. Johnny and Dorsey later enjoyed successful solo careers. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘Alceste, or the Triumph of Alcide’ Composed in 1674, Lully’s Alceste, ou le triomphe d’Alcide, a tragédie lyrique with a prologue and five acts, had a double link with ancient Greek culture. The libretto, by Philippe Quinault, was based on Alcestis, a tragedy by the ancient Greek dramatist Euripides that in turn derived ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

It was Louis Armstrong (or Leadbelly, depending on whom you believe) who came up with the famous final word on the definition of folk music: ‘It’s ALL folk music … I ain’t never heard no horse sing.…’ The quote has been repeated ad nauseam throughout the years, but it has not prevented strenuous debate about the meaning of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Guitar, vocals, b. 1925) Riley B. King, from Indianola, Mississippi, is arguably the last surviving authentic blues artist. Orphaned, he took up guitar aged 15, turning professional after US military service. In 1947, he moved to Memphis and lived with cousin Bukka White. There, he worked on a local radio station, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, songwriter, actor, 1938–99) Axton’s mother, Mae Boren Axton, co-wrote ‘Heartbreak Hotel’, and Hoyt himself enjoyed his greatest success through other artist’s covers of his songs – ‘Greenback Dollar’ (Kingston Trio), ‘Joy To The World’ (Three Dog Night) and ‘The Pusher’ (Steppenwolf). Popular in the UK through his 1979 singles ‘Della And The Dealer’ and ‘A ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Folk pop is often looked down on by connoisseurs of the music who believe that in its purest form it should have nothing in common with the charts and the commercial world. Yet folk has punctured the mainstream more often than most would imagine, and in many ways its popularity has been reliant on those who’ve broadened the market by ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Mention of the folk revival is generally applied to the late-1950s and early 1960s, when a new generation of enthusiasts earnestly set about exploring the history of folk music and recreating its passionate, social ideals. There had been other folk revivals throughout history, but they tended to stem from the middle classes in search of a purer identity ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

La Monte Young was saxophonist and jazz musician as a youth, but his postgraduate work at the University of California at Berkeley (where he met Riley) led to a performance of his Trio for Strings (1958) arranged by his composition teacher, Seymour Shifrin (1926–79), in an attempt to show Young how much he had miscalculated. The work, consisting ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

If you look for country music’s Big Bang, there is nothing more momentous than Bristol, 1927. Within four summer days, two stars appeared that would change the cosmology of country – remap the sky. And it all happened in a disused office building in a quiet mountain town perched on the state line between Virginia and Tennessee. Why ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

In one form or another, the harpsichord ruled the domestic keyboard roost throughout Europe – and later in America – from the late-sixteenth to the early-nineteenth centuries. Apart from the organ, it was the grandest and most versatile of all keyboard instruments until the advent of the mature fortepiano in the mid- to late-eighteenth century. Rise and Fall of ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A trombone is a brass instrument sounded by buzzing the lips into a mouthpiece. It is peculiar amongst brass instruments in using a double ‘U’-shaped slide to alter its pitch. The early history of the trombone is confused, mostly due to a lack of clarity in naming instruments. It is generally accepted that the immediate precursor to the trombone was ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

More sophisticated diplomatic relations between states in the late Baroque era resulted in a time of relative peace – for a short period at least – during which the arts flourished. As in the Renaissance and early Baroque eras, writers, artists and musicians turned to the classical antiquity of Greece and Rome for their standards and their in­spiration. At ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Reggae is unique. No other style has made so much out of its original musical resources to present itself in so many different guises with only a couple of structural changes in over 40 years. No other style has so accurately reflected the people that create and consume it. Jamaican music’s relationship with its people is such that it is not ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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