SEARCH RESULTS FOR: Latin jazz
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Latin jazz is commonly defined as the fusion of American jazz melodies, improvisation and chords with Latin American rhythms, predominantly those of Afro-Cuban origin. How this marriage of styles occurred is also one of the most significant cultural musical exchanges in history. Mention the birth of Latin jazz to any aficionado of the art form and they will invariably reply ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

California native Joe Pass (1929–94) developed a thoroughly precise jazz technique that propelled him to virtuoso status alongside pianist Oscar Peterson and vocalist Ella Fitzgerald, with whom he made a series of essential recordings for the Pablo label in the Seventies. Pass was raised in Johnstown, Pennsylvania. He took up guitar after being inspired by singing cowboy Gene Autry. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Jazz and R&B star George Benson (b. 1943) seemed destined for a respected but low-key career in cool jazz until he adopted a funky hybrid of jazz and soul for the 1976 album Breezin’. Driven by accessible instrumentals and a smash reworking of Leon Russell’s ‘This Masquerade’, the album made Benson the biggest star to cross over from jazz to pop ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

John Abercrombie (b. 1944) is a stylist who has managed to incorporate flavours of folk and rock along with world-music influences into his jazz-based repertoire. He was a highly influential fusion guitarist in the late Sixties and Seventies and has had an abundant career, working solo and with a multitude of collaborators, including Billy Cobham, Ralph Towner, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Considered one of modern jazz guitar’s ‘big three’ guitarists – along with Pat Metheny and Bill Frisell – John Scofield (b. 1951) is also one of the most versatile players of his generation. Conversant in fusion and hard bop as well as in the heady grooves of the jam-band scene, his stew of blues and jazz mixed with post-bop and ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Mike Stern (b. 1953), the American jazz guitarist, emerged as a major force in the jazz guitar scene through his work with Miles Davis’ band in the early Eighties, Stern has played with stars such as Stan Getz, Jaco Pastorius, Pat Martino and David Sanborn. Stern was also a guitarist in Steps Ahead and the Brecker Brothers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Latin pop has been around for as long as Latin music itself. As far back as the 1920s, Mexico, Argentina and Spain were veritable fountains of popular music, which they exported to all Spanish-speaking nations. An international audience was found in the United States, along with the steady influx of Latino immigrants in the late twentieth century. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Buoyed by its unprecedented international exposure in the 1990s, Latin pop greeted the new century with the first-ever Latin Grammy awards, which took place in the United States in September 2000. Conceived as an internationally minded award, clearly distinct from – although related to – the Grammys, one of the objectives of the Latin Grammys was to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A forerunner of jazz, ragtime was derived from brass-band music and European folk melodies, African-American banjo music and spirituals, minstrel songs, military marches and European light classics. The ‘raggy’ style, or ragged-time feeling, of this jaunty, propulsive, toe-tapping piano music refers to its inherent syncopation, where loud right-hand accents fall between the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Jazz was the by-product of cultures coming together in New Orleans at the turn of the twentieth century. The music, along with some of its greatest practitioners, moved north by 1917. That year Storyville, the red-light district, was forced to close and jazz musicians headed north to Chicago, where jazz matured into a fine art form. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The popularity of jazz hit a peak after the Depression years of 1929–33. By the end of 1934, huge numbers were tuning in to the NBC Radio series Let’s Dance, which broadcast performances by The Xavier Cugat, Kel Murray and Benny Goodman Orchestras. Goodman’s orchestra in particular caught on with the public and created a demand for live ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Though it was often referred to as a musical revolution, bebop was actually a natural evolution of jazz, involving innovative approaches to harmony and rhythm that advanced the music forward to a modern era. Traces of bebop began to emerge during the early 1940s, in orchestras led by Earl Hines and Billy Eckstine. Those adventurous impulses were further ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

By the end of the 1930s, the Swing era was in full force, ushered in by big bands led by Benny Goodman, Chick Webb, the Dorsey brothers (Jimmy and Tommy) and Glenn Miller. New Orleans jazz and its stylistic off-shoot, Dixieland, had both largely faded from popularity. New Orleans pioneers King Oliver and Jelly Roll ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

In the wake of the pyrotechnic manifesto that ​Charlie ‘Bird’ Parker and Dizzy Gillespie jointly issued on their first recording together in 1945, most musicians on the New York jazz scene began fanning the flames of bebop. Tempos picked up speed, intensity increased on the bandstand and blazing virtuosity became a means to an end, in a fiery ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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