First performed in Brno on 6 November 1924, this opera, based on a story by Rudolf Tešnohlídek, centres around a little vixen known as ‘Sharp-ears’. Janáček’s music is colourful, evocative, playful, full of Moravian folk references and often very moving, combining ballet, mime, vocalization without text, orchestral interludes, a chorus ...
(Piano, vocals, 1906–85) Eurreal Wilford Montgomery was born in Louisiana and taught himself piano, dropping out of school to work functions and juke joints. He first recorded for Paramount in 1930 (‘Vicksburg Blues’/‘No Special Rider’) and then for Bluebird and ARC in 1935–36. Often featured with traditional jazz bands in addition to his primary work as a soloist ...
(Vocals, 1935–84) Esther Mae Washington was born in Galveston, Texas. She moved to the Los Angeles area at the age of five and in 1949 was discovered by Johnny Otis. Her first recording with Otis, ‘Double Crossing Blues’, was a number-one R&B hit in 1950. In that year the pair had two more number ones on the R&B ...
(Vocals, 1943–2003) One of pop’s fairy tales. Eva Boyd was baby-sitting for Gerry Goffin and Carole King when they asked her to demo a new dance-craze song, ‘The Loco-Motion’. It was a 1962 worldwide No. 1, later covered by Kylie Minogue. Follow-up ‘Keep Your Hands Off My Baby’ also charted. The Crystals’ Goffin-King single ‘He Hit Me (And ...
(Vocal group, 1971–present) Renowned for their eclectic blend of styles, incorporating rhythm and blues, country, rock’n’roll and jazz rock, Little Feat was founded by two ex-members of Frank Zappa’s Mothers of Invention, guitarist and singer Lowell George and bassist Roy Estrada. They were joined by Richard Hayward (drums) and Bill Payne (keyboards, vocals). After ...
(Vocals, b. 1920) West Virginia-born James Cecil Dickens was a long-time fixture on the Grand Ole Opry and is best known for the novelty hits he released in the late 1940s and early 1950s, including ‘Sleepin’ At The Foot Of The Bed’, ‘I’m Little But I’m Loud’ and ‘Take An Old Cold Tater And Wait’. Dickens was inducted into ...
(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...
(Guitar, vocals, 1934–2005) Born to sharecroppers in Inverness, Mississippi, the country music Milton Campbell heard in radio broadcasts from the Grand Ole Opry shaped his soulful sound as much as gospel and blues. After regional success, he signed to the Chess Records subsidiary Checker in 1961 and cut the classics ‘If Walls Could Talk’, ‘Feel So ...
(Piano, vocals, b. 1932) Georgia-born Richard Penniman, who combines frantic vocals with uninhibited pianistics, was one of 12 children. Raised in a religious family, he started recording for RCA in 1951 after winning a talent contest. Chart success followed his signing with Specialty Records, where Bumps Blackwell produced a series of classic rock’n’roll tracks between ...
(Harmonica, vocals, 1930–68) Marion Walter Jacobs was born in Marksville, Louisiana. He taught himself harmonica at the age of eight and was working the New Orleans streets by the time he was 12. He worked in Helena, Arkansas (where he met Rice Miller) and St. Louis before arriving in Chicago in 1946. He was encouraged by guitarists ...
(Vocals, 1937–68) Arkansas-born William Edgar John, who moved to Detroit as a child, was signed to King Records from 1955. A string of US R&B Top 20 hits followed, several of which crossed over to the US pop chart. He is said to have influenced many major soul singers of the 1960s, and his best-known hits ...
(Vocal group, 1978–83, 1987–present) The Belfast outfit, comprising Jake Burns (guitar, vocals), Henry Clunie (guitar), Ali McMordie (bass) and Brian Falloon (drums) converted to punk on seeing The Clash in 1977. With lyrics by journalist Gordon Oglivie, Fingers’ early material, particularly the debut album Inflammable Material (1979), expressed anger at the troubles in Northern Ireland. ...
The word ‘Baroque’ is derived from the Portuguese barrocco, a term for a misshapen pearl, and it was still with this sense of something twisted that it was first applied – to the period between about 1600 and 1750 – in the nineteenth century. In 1768, Jean-Jacques Rousseau wrote: ‘a Baroque music is that in which the harmony ...
‘Medieval’ as a concept is very hard to define, and the period itself is just as difficult to delineate. It was a term invented by Renaissance writers who wished to make a distinction between their modernity and what had gone before. Although the onset of the Renaissance is often taken to be around the beginning of the fourteenth century, ...
The years 1826–28 saw the deaths of the three greatest composers of their respective generations, Weber, Beethoven and Schubert. Only in the years that followed could early Romanticism really forge its own identity. The 1830s saw the flowering of a new generation of great composers, including Chopin, Schumann, Berlioz, Liszt and Mendelssohn, and for ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
CURATED
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.