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(Vocals, b. 1953) Brooklyn-born Benatar established herself as queen of arena rock with a trio of fine albums. Her poppier debut In The Heat Of The Night (1979) was followed by heavier, Grammy-winning Crimes Of Passion (1980) and her only No. 1 Precious Time (1981). Her expressive tones powered several hit singles including ‘Hit Me With Your Best Shot’, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1934) Supposedly directly descended from US pioneer Daniel Boone, Florida-born Charles Eugene Boone’s 55th US hit, ‘Speedy Gonzalez’, in 1962 followed 10 million-sellers and six US No. 1s since 1955. His early hits were tame white versions of black R&B hits by Fats Domino (‘Ain’t That A Shame’), Little Richard (‘Tutti Frutti’ and ‘Long Tall Sally’) ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Guitarist Pat Metheny emerged in the mid-1970s with a fully realized approach to his instrument that was wholly unique for its time, offering a refreshing alternative to both bop and fusion styles. His sweeping, warm-toned, reverb-soaked lines and liquid phrasing, once described by Down Beat magazine as ‘the sound of wind through the trees’, had a huge ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

A true pioneer and musical visionary, Pat Metheny (b. 1954) is one of the most important voices in the history of jazz guitar. Winner of countless ‘Best Jazz Guitarist’ polls and 12 Grammy Awards – including an unprecedented seven consecutive wins for seven consecutive albums – Metheny’s impact on jazz guitar is on a par with that of Charlie Christian ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Computer music can be defined as music that is generated by, or composed and produced by means of, a computer. The idea that computers might have a role to play in the production of music actually goes back a lot further than one might think. As early as 1843, Lady Ada Lovelace suggested in a published article that ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The term ‘guitar synthesizer’ refers to a system consisting of a guitar controller interfaced to a synthesizer sound-module. Such instruments afford the guitar player access to not only synthesized (or sampled) emulations of guitar sounds but also to a vast array of electronic tones and instrumental simulations. In this way, the guitarist can bring techniques, such as string bending ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Composed: 1984–87 Premiered: 1987, Houston Libretto by Alice Goodman Act I On 21 February 1972, representatives of the Chinese armed forces are waiting at an airfield outside Beijing in order to greet President Richard Nixon on his arrival. The presidential Boeing, The Spirit of ’76, taxies to a halt. Nixon disembarks with his wife, Pat, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Of all the guitar players of the last 40 years, none produce music as confounding yet beautiful as Allan Holdsworth (b. 1946). His blinding speed, fluid legato, impossible intervallic leaps, perplexing chord voicings and unpredictable melodies have made his style one of the most mystifying to guitarists everywhere. Allan Holdsworth was born in Bradford, West Yorkshire ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Bill Frisell (b. 1951) is a North American guitarist and composer who built an eclectic career creating guitar music in several disciplines and genres. He was born William Richard ‘Bill’ Frisell in Baltimore, Maryland, but spent most of his youth in the Denver area. He went to the University of Northern Colorado, where he studied guitar with Johnny ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

(Vocals, b. 1950) A vocal gymnast and daring improviser, McFerrin is one of the most distinctive and uncategorizable singers in contemporary music. His remarkable range (he makes uncanny leaps from deep bass tones to the highest falsetto zone), elastic delivery and incredibly open-minded nature allow him to convincingly cover everything from pop, R&B, jazz and rock to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bass, b. 1937) Charlie Haden’s famed work with Ornette Coleman represents just one small facet of the versatile bassist’s career. As a child in Iowa he performed on radio with his family’s country and western band. At 15 he took up the bass while recovering from polio, acquiring a novel technique that makes his notes resonate deeply. Haden moved ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, guitar, b. 1944) Often compared to his contemporary Paul Butterfield, Musselwhite has an exceptionally fluid and melodic harmonica style that places him head and shoulders above most competitors. He debuted on record in 1967 and has remained faithful to the Chicago style in his own projects and in supporting work for Elvin Bishop, Big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Despite a life cut tragically short by violence, Darrell Lance Abbott (1966–2004), known as ‘Dimebag Darrell,’ achieved stardom not only as a founding member of the bands Pantera and Damageplan, but also in death as an icon who succumbed onstage and carried his passions to the grave. Darrell Abbott took up guitar when he was 12. He was ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Spring Returning To The Studio The break from touring allowed Green Day to recharge their batteries, although with Billie Joe always writing songs they had a wealth of material to record when they returned to the studio in early 1997. During discussions with producer Rob Cavallo, the band stressed that they wanted to do something different musically. As sessions ...

Source: Green Day Revealed, by Ian Shirley
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