SEARCH RESULTS FOR: Richard Strauss
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‘Ariadne on Naxos’ Strauss may not have been the out-and-out modernist many have wanted him to be, but neither was he one to sit back and reproduce carbon copies of past successes. Strauss and Hofmannsthal decided to follow up Der Rosenkavalier with an altogether different proposition. Ariadne auf Naxos, in its original version, is a curious amalgam of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Strauss’s final opera marked a belated return to form. He had suffered since the end of his collaboration with Hofmannsthal and jettisoned his original librettist, Joseph Gregor, in favour of the conductor Clemens Krauss. The conception was a simple but subtle one in which the characters in the piece decide to write an opera. Only at the end is ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Knight of the Rose’ For the follow-up to Elektra, Strauss declared he wanted to write a Mozart opera. Despite Hofmannsthal’s protests about a light, Renaissance subject set in the past, the librettist soon came up with a scenario that delighted Strauss. The correspondence between librettist and composer was good-natured and respectful. Each made suggestions to the other ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Woman Without a Shadow’ Like Ariadne auf Naxos, Die Frau ohne Schatten had a tempestuous genesis. The idea itself stemmed from the period immediately after the premiere of Der Rosenkavalier, but Hofmannsthal’s continual flood of ideas compounded by Strauss’s curmudgeonliness ensured the project stalled regularly. The start of the First World War did nothing to help, and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Following Salome was no easy task, and Strauss felt strongly that he needed to tackle an entirely different subject – by preference a light, comic work. He had been in correspondence with the playwright Hofmannsthal and approached him with an idea for such a work. Hofmannsthal had other ideas, and was insistent that Strauss should take up his ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Strauss saw Hedwig Lachmann’s German version of Oscar Wilde’s play in Berlin in 1903. Directed by Max Reinhardt, it made an immediate impression on the composer and he decided to set Lachmann’s text himself. The relatively short length of Salome allowed Strauss to approach the composition as though it were another of the tone-poems with which he had established his ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Re-khart Shtrous) 1864–1949 German composer During an amazingly productive career, Richard Strauss wrote 15 operas, five ballets, several orchestral masterpieces, well over 200 songs and many other works. As a conductor he contributed in countless practical ways to the musical life of Europe and the US in the flourishing period from the last two decades of the nineteenth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1864–1949, German Often regarded as the best composer never to have achieved greatness, Strauss succeeded Wagner and Johannes Brahms (1833–97) as the most important living German composer. At his most impressive, Strauss commands complete control over the orchestra and possesses striking harmonic inventiveness. Childhood and Family Strauss was born in Munich on 11 June 1864. His father, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Veteran Rolling Stones guitarist Keith Richards (b. 1943) was born in Dartford, Kent. After being expelled from technical school in 1958, Richards attended Sidcup Art College. The art-school environment was crucial to Richards’ development, as it was for many of his generation. Here he was able to nurture his passion for rhythm and blues, finding many fellow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In his 40-year career as an award-winning songwriter, guitarist and musician’s musician, Richard Thompson (b. 1949) has won fans for his work as an original member of Fairport Convention, as part of a duo with former wife Linda Thompson and as a solo artist. His songs have been recorded by Bonnie Raitt, Elvis Costello, Emmylou Harris ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Austrian family of composers The four most prominent members of Austria’s leading musical family were Johann Strauss the Elder (1804–49) and his three sons, Johann Strauss the Younger (1825–99), Josef Strauss (1827–70) and Eduard Strauss (1835–1916). This prolific and gifted family came from humble origins in the time of Johann the Elder. By the time he was in his twenties ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Rich’-ärd Varg’-na) 1813–83 German composer Wagner is one of the most influential and controversial composers in the history of classical music. He was born in Leipzig and educated there and in Dresden. His later years were spent in Bayreuth, the home of the festival theatre and the yearly summer festival he founded, which still flourish today. The idea of Bayreuth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, b. 1930) Muhal Richard Abrams was one of the principal architects of free jazz in Chicago. After playing with Eddie Harris and the MJT+3, Abrams founded his Experimental Band in 1961 to explore original composition and new directions. In 1965 he founded the Association for the Advancement of Creative Musicians (AACM), which emphasizes creativity, professionalism and social ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Richard the Lionheart’ Composed: 1784 Premiered: 1784, Paris Libretto by Michel-Jean Sedaine Prologue Richard I has disappeared on his way home to England from the Third Crusade. Blondel, his squire and a troubadour, is trying to find his master. Act I Peasants are returning in the evening to their homes near Linz Castle. A local boy, Antonio ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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