SEARCH RESULTS FOR: Slayer
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(Vocal/instrumental group, 1981–present) The most extreme of the major thrash metal bands, lyrically and sonically, Tom Araya (bass, vocals), Kerry King and Jeff Hanneman (both guitar) and Dave Lombardo (drums) rejoice in album titles such as Show No Mercy (1984) and 1987’s breakthrough Reign In Blood replete with a song about Nazi butcher ‘Dr’ Mengele. 1994’s US ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

chest by Kiss guitarist Ace Frehley tattooed in place.) Abbott formed Pantera in 1981 with his brother, drummer Vinnie Paul. Influenced by metal acts from Iron Maiden to Slayer, Pantera became a force in the subgenre ‘groove’ metal. Pantera scored with Cowboys From Hell in 1990 and cemented their reputation with Vulgar Display Of Power in 1992, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

damnation, war and suffering to more mature and social lyrical concerns. The single ‘One’ became an international hit and the first of many Metallica videos. Black Masterpiece Bands like Slayer, Anthrax and Megadeth (formed by Mustaine) had followed in the wake of Metallica to turn thrash into a defined genre that reinvigorated heavy metal as a musical form. Metallica ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

as the world’s No. 1 stadium rock band; but by the early 1990s Jim Kerr’s anthemic pop was beginning to date. Styles & Forms | Eighties | Rock Personalities | Slayer | Eighties | Rock ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

By the end of the 1980s, thrash metal was on its last legs. Metallica and Slayer were on the path towards acceptance by the mainstream and it seemed as though heavy metal was in danger of losing not only the extremity upon which it had been founded, but also its shock value. How ill-founded those assumptions turned out to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

early 1990s the North American death metal scene included thousands of bands. Each seemed personified by a gruesome name and indecipherable logo. Among the first to make an impression were Slayer, Cannibal Corpse, Obituary, Deicide, Immolation, Autopsy, Malevolent Creation, Gwar and Suffocation. Brazil also had Sepultura, with Scandinavia throwing forth Dismember, Entombed ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

and Candlemass from Sweden. Doom metal contrasts strongly with, and was partly a reaction to, the speed metal bands of the early 1980s, such as Metallica and Slayer who played as fast as possible – many of the doom metal bands make a virtue out of playing slowly. ‘The Heaviest Band In The World’ Once described as ‘the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

NWOBHM had a profound impact on drummer Lars Ulrich, who later formed Metallica, the most successful of the big four so-called thrash metal bands, the others being Slayer, Megadeth and Anthrax. As Metallica’s sound developed they smoothed off their brutal edges and became a heavy metal band, with Metallica (1991) becoming one of the best-selling metal ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

a major label by their fourth album, 1988’s …And Justice For All. Sooner or later, the rest of the movement’s so-called ‘big four’ – Anthrax, Megadeth and Slayer – had done likewise. For other pacesetters like Exodus and Testament, approval from the mainstream came too late, sometimes even resulting in boardroom interference. Regardless of the labels ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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