SEARCH RESULTS FOR: Steve Miller
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(Vocal/instrumental group, 1966–86) A cauldron of blues and psychedelia, 1968’s Children Of The Future was a US Top 30 entry for a California-based outfit in which the only constant would be Miller (guitar, vocals), though first singer Boz Scaggs enjoyed solo success. Becoming more radio-friendly, Miller made greater impact from the early 1970s with US chart-toppers ‘The ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The guitarist in Genesis from 1970–77, Steve Hackett developed a technical skill and tone control that was a vital factor in shaping the band’s music. He also helped to steer the post-Peter Gabriel Genesis towards a new style before leaving to pursue a solo career. An undemonstrative performer, Hackett has been a major influence on guitarists looking beyond the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

As the guitarist in Yes throughout their heyday in the 1970s, Steve Howe’s tasteful, eclectic playing helped to define a new style of rock music. Despite occasional absences during Yes’s convoluted history during the 1980s and 1990s, Howe remained a pivotal member of the group and has been a permanent member since 1996. He was also a founding ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

A consummate guitarist in an extraordinary variety of styles, including jazz, classical, country, rock and heavy metal, Steve Morse also has the compositional skills and the improvising genius to match. He has played with, among others, Dixie Dregs, Kansas and Deep Purple, while also maintaining his own band. Morse was born in ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Schooled by Joe Satriani, trained by Frank Zappa and turned into a guitar hero by David Lee Roth, Steve Vai (b. 1960) has combined an energetic technique with a distinctive and often unusual sense of tone. Born and raised in North Hempstead, New York, Vai began taking guitar lessons from his schoolmate Satriani when he was 14. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Steve ‘The Colonel’ Cropper is an American guitarist, songwriter, producer and soul musician, best known for his work creating the trailblazing soul records produced by Memphis’s Stax label as a member of its studio band, which became Booker T. & The M.G.s, in the mid-1960s. Stephen Lee Cropper was born on a farm outside ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Although his band of high-school buddies achieved international fame under the name Toto, Steve Lukather (b. 1957), session guitarist extraordinaire, has had to struggle under the same suspicion under which his bandmates have toiled: that the whole may add up to less than the sum of its parts. For Toto, despite achieving worldwide fame with singles like ‘Rosanna’ ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Trumpet, cornet, 1894–1971) One of the leading New Orleans cornettists during the 1920s, Ernest ‘Punch’ Miller moved to Chicago in 1926 and found work with fellow New Orleanians Freddie Keppard and Jelly Roll Morton, as well as with Tiny Parham and Albert Wynn’s Gutbucket Five. He spent the 1930s in New York before returning to Chicago. In ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trombone, 1904–44) Glenn Miller was a trombonist of modest accomplishments, but he became one of the most famous big-band leaders in jazz. Although disdained by jazz purists, tunes such as ‘In The Mood’, ‘Moonlight Serenade’, ‘String Of Pearls’ and ‘Tuxedo Junction’ have remained enduringly popular. Miller’s bands played precisely executed riff-based swing tunes and very slow ballads; his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Soprano saxophone, 1934–2004) Steve Lacy began his career in Dixieland jazz, sitting in with Henry ‘Red’ Allen, Rex Stewart and Herbie Nichols, among others, at New York’s Café Metronome. However, he quickly shifted tack and became one of the leading figures in the jazz avant-garde. Soprano saxophone is now widely played, but Lacy concentrated ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Soprano saxophone, 1934–2004) Born Steven Lackritz in New York City, Lacy began his career playing Dixieland music with veterans Henry ‘Red’ Allen and Rex Stewart, but became best known as a highly lyrical and adventurous champion of the soprano saxophone. His adoption of the straight horn, neglected since the heyday of Sidney Bechet, inspired John Coltrane ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Electric bass, b. 1940) One of a handful of electric-jazz bassists who have shaped the sound of the instrument, Swallow was a student at Yale University when he became attracted to music. An early apprenticeship with pianist Paul Bley grew into a long-term association and the two recorded frequently. Vibist Gary Burton provided another ongoing musical relationship. After a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Alto saxophone, b. 1956) Chicago native Coleman worked in funk and R&B bands before switching to jazz and learning under tenor sax great Von Freeman. He moved to New York in 1978 and worked with the Thad Jones–Mel Lewis Orchestra and Sam Rivers. He had a key tenure in the early to mid-1980s with Dave Holland before forming his own ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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