SEARCH RESULTS FOR: Tompall Glaser
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(Vocals, guitar, b. 1933) Glaser was already a successful mainstream-country artist with 13 Top 40 hits to his credit when he joined Willie Nelson, Waylon Jennings and Jessi Colter on the landmark 1976 album Wanted! The Outlaws. Tompall had grown up in rural Nebraska with his brothers Jim Glaser (vocals, guitar, harmonica, b. 1937) ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1970s–2004) Joe Ely (vocals, guitar, b. 1947), Jimmie Dale Gilmore (vocals, guitar, b. 1945) and Butch Hancock (vocals, guitar, b. 1945) were teenage pals in the West Texas cotton town of Lubbock when they formed The Flatlanders by combining the music of such local heroes as Buddy Holly and Bob Wills with ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

By the late-1960s, the Nashville music industry had grown slick, complacent and predictable, even as the greater national culture, in the shadow of the Vietnam War, was entering an era of tumult and rebellion. Largely as a result of this, the outlaw movement arose. It began as a rudimentary grassroots uprising, instigated by a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Hank Williams Jr. (b. 1949) was only three years old when his daddy died, and he barely knew the man who was, arguably, the greatest honky-tonker of them all. But his widowed mother groomed her baby boy to imitate his papa as closely as possible. He was on stage by eight, in the recording studio by 14 ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

At the beginning of the 1970s, the influences in mainstream country music continued to originate from a wide spread of sources, the most dominant being the Nashville sound, which now had strong pop overtures alongside a greater distortion of country music itself. On the other hand, an innovative breed of songwriters were about to be heard, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

New country took many years and miles of travel before its current evolution – not least the new traditionalist movement of the 1980s, which returned country music to its roots. Garth Brooks (b. 1962) did it far more quickly, but that’s a different story. Sometimes it seemed like these artists were chipping away at a mountain with nothing more ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Trumpet, vocals, 1908–54) Oran Thaddeus Page surfaced in the Bennie Moten Band as a powerful blues player, often using a plunger mute. He was with the as-yet unknown Count Basie in 1936 and might soon have left Kansas City as one of that fabled band of brothers had he not been approached by Joe Glaser. Glaser was Louis ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

An incomparable figure in the history of jazz, Armstrong played with an unprecedented virtuosity and bravura, while retaining an individual tone and a deceptively laid-back style. In the early 1920s, he shifted the emphasis of jazz from ensemble playing to a soloist’s art form, while setting new standards for trumpeters worldwide. The sheer brilliance of his playing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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