SEARCH RESULTS FOR: Trey Anastasio
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Princeton, New Jersey native Trey Anastasio (b. 1964) became the star of the jam-band resurgence through his prolific work both with his band Phish and a multitude of side projects. Phish’s initial touring and recording life spanned from 1983 to 2000, experienced a hiatus from 2000 to 2003 and dissolved in 2004, before regrouping in 2009. Inheriting the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Southern-rock guitarist Duane Allman was born in Nashville, Tennessee in 1946. Allman was inspired to take up the guitar by his brother Gregg. At first, they played country music, their initiation into the blues coming when the brothers saw B.B. King performing in Nashville. The pair began playing professionally in 1961, first in The Allman Joys ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1983–present) Formed in New England, Phish are a jam band comprising Trey Anastasio (vocals, guitar), Page McConnell (keyboards, vocals), Mike Gordon (bass) and Jon Fishman (drums, vocals). Musically an eclectic mix of rock, jazz, blues, folk and whatever took their improvizational fancy, they became a word-of-mouth touring phenomenon, building ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, drums, 1942–2004) In 1973 dynamic guitarist Frank ‘Son’ Seals became one of the most exciting artists signed to the fledgling Alligator Records label. His choppy technique and hard-hitting vocals on original songs such as ‘Your Love Is Like A Cancer’ combine to create an extremely powerful sound. His finest albums include horn sections, which help ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

When The Grateful Dead started attracting a large fan following on the Bay Area concert scene during the late-1960s, courtesy of free-form jams that showcased the band’s fusion of folk, rock, country and blues, it signalled that rock’n’roll was latching onto a tradition of improvization that had long been prevalent in other forms of Western music. This ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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