b. 1944 American conductor Christie moved to France in 1971, where he founded Les Arts Florissants, a flexible vocal and instrumental group, in 1979. With them he has staged and recorded many French works, including operas by Jean-Baptiste Lully (1632–87) and Jean-Philippe Rameau (1683–1764). Their production of King Arthur by Henry Purcell (1659–95) was seen at Covent ...
1543–1623 English composer Byrd’s early life is shrouded in mystery. He may have been born in Lincoln, but his formative years must have been spent at least partly in London; at some point in his youth he studied with Tallis. In 1563 he was made organist and master of the choristers at Lincoln Cathedral. He married in 1569 and in ...
c. 1465–1523 English composer Cornysh served at the courts of both Henry VII and Henry VIII as a poet, actor and musician. His greatest moment was being chosen to head the Chapel Royal at the famous ‘Field of the Cloth of Gold’ in June 1520. Five polyphonic works by him are preserved in the Eton Choirbook; he also composed early ...
Classical guitarist-composer John Christopher Williams (b. 1941) is a Grammy-Award winning Australian classical guitarist who has explored many styles beyond the classical tradition. John’s father Leonard (Len) Williams was an accomplished guitarist who emigrated from Britain to Australia and was best known there for his jazz playing. He taught John to play guitar, and it soon became apparent that the ...
1602–45 English composer William Lawes, like his brother Henry Lawes, was a musician at the court of the English King Charles I. Although he too composed songs and theatre music, his greater strength lay in consort music for viols or members of the violin family and it is for these that he is best remembered. Lawes’ consort music ...
1711–79 English composer A Londoner, Boyce was a chorister at St Paul’s and a pupil of Maurice Greene (1696–1755) and J. C. Pepusch (1667–1752). He held posts as organist, notably at the Chapel Royal, and became Master of the King’s Musick in 1755. In that capacity he composed many court odes; he also wrote sacred music and stage ...
1816–75 English composer Bennett was a leading figure of the ‘London Piano School’, a significant group of pianist-composers that included Muzio Clementi (1752–1832), Ignaz Moscheles (1794–1870) and Johann Baptist Cramer (1771–1858). A boy chorister at King’s College, Cambridge, he began studies aged 10 at the Royal Academy of Music (RAM), where his teachers included Cipriani Potter. Close friends included ...
Clarence Williams was born in 1898 in Plaquemine, Louisiana, migrating to New Orleans in the teens to play piano in the District and begin a long career as a composer, bandleader and musical promoter. He was manager of two early jazz venues – the Big 25 Club and Pete Lala’s Café – hiring the best musicians in the ...
(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...
(Harmonica, vocals, 1914–48) John Lee Williamson was born in Jackson, Tennessee. He taught himself harmonica at an early age and left home in his mid-teens to hobo with Yank Rachell and Sleepy John Estes through Tennessee and Arkansas. He settled in Chicago in 1934 and made his recording debut for Bluebird in 1937. His first song, ‘Good ...
(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...
(Drums, 1945–97) Aged 14, Boston-born drum prodigy Tony Williams worked professionally with tenor saxophonist Sam Rivers. In 1962 he went to New York, played with Jackie McLean, then became part of one of Miles Davis’s greatest bands. A dazzling colourist and dynamic rhythm-maker, Williams recorded two albums for Blue Note and played with many of the ...
(Bass, b. 1952) William Parker apprenticed with major bassists in New York City’s Jazzmobile programme, studied privately with Jimmy Garrison and Wilber Ware, and performed with Cecil Taylor’s group at the age of 21. He has anchored many ensembles, including the David S. Ware Quartet. His prodigious work ethic, instrumental steadiness, dependability and selflessness have ...
(Bandleaders, 1940s) Curley Williams (1914–70) and Paul Howard (1908–84) were – outside of Pee Wee King – the chief exponents of western swing east of the Mississippi during the music’s 1940s heyday. Both led excellent, hot bands on the Grand Ole Opry and both found it necessary to leave the Opry in order to play the music they wanted ...
Rural Alabama-born Hiram Williams (1923–53) has emerged in the half-century since his death – at age 29 – as the archetypal honky-tonk artist and arguably the single most influential artist in modern country music. The songs that Williams wrote and sang in the course of his short and none-too-sweet life – ‘Hey Good Lookin’,’ ‘I’m So Lonesome I Could Cry’, ‘Cold ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
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sweep of incredible photographs.