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(Bass, vocals, songwriter, 1915–92) Willie James Dixon was born in Vicksburg, Mississippi and moved to Chicago at the age of 11. He learned bass and made his recording debut with the Five Breezes in 1940. After the Second World War he formed the Big Three trio, with whom he worked and recorded until 1952. He began ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, c. 1902–47) Texas-born Willie Johnson, a purveyor of sacred material who would probably have been appalled at being categorized as a ‘blues’ artist, was blinded at the age of seven when his stepmother threw lye in his face after being beaten by his father. He sang in a hoarse, declamatory voice and his fretwork ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, 1901–59) A skilled purveyor of the ragtime-influenced Piedmont fingerpicking style, Atlanta-based Blind Willie McTell incorporated pop songs and novelty numbers, as well as blues, into his repertoire – befitting an entertainer who got his start in tent shows, medicine shows and carnivals. His voice was unusually tender and expressive for a musician who ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, 1899–1947) A resident of Brownsville, Tennessee, Willie Newbern had only one recording session, for OKeh in Atlanta in 1929. Although he was not widely known outside his area, he influenced quite a few musicians: he recorded the first known version of ‘Roll And Tumble Blues’ and is said to have taught it to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1900–52) An associate of Charley Patton, Brown was a part of the Mississippi blues scene in the early 1920s. While he started out playing with Patton and Tommy Johnson, he teamed up with Son House in 1926 and accompanied his Paramount session in May 1930, also cutting four songs of his own. Brown played ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, 1897–1973) In the 1920s Willie ‘The Lion’ Smith was an obscure master of Harlem stride (a virtuoso style that evolved out of ragtime after 1919) whose brilliant technique influenced countless young pianists who heard him in person. His legend began to emerge in 1935 as stride was fading into nostalgia and he started to record regularly. For the next ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1928–2006) Floyd Dixon was born in Marshall, Texas and was raised in Los Angeles from the age of 13. He made his recording debut aged 18 for Supreme Records and also recorded for Modern and Peacock before switching to Aladdin in 1950 and releasing his biggest record, ‘Call Operator 210’. He continued to record while ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

A few days after Christmas, 1969, Willie Nelson (b. 1933) watched his house outside Nashville burn to the ground. Going up in flames were not only his furniture, guitars and only copies of unpublished songs – but also some of his ties to Music Row. A New Beginning Nelson had begun the decade as one of the hottest ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, 1937–68) Arkansas-born William Edgar John, who moved to Detroit as a child, was signed to King Records from 1955. A string of US R&B Top 20 hits followed, several of which crossed over to the US pop chart. He is said to have influenced many major soul singers of the 1960s, and his best-known hits ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Harmonica, vocals, b. 1951) Branch began playing harmonica at the age of 10, before polishing his onstage technique in Chicago with Big Walter, James Cotton, Junior Wells and Carey Bell. In 1975 he became a sideman for Willie Dixon and then formed Sons of Blues with Lurrie Bell (guitar). Branch continues to front the band and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

One of the young gunslingers who invigorated the blues in the 1960s, Buddy Guy (b. 1936) wowed audiences with high-octane guitar histrionics and energy that were matched by a tortured vocal manner. Guy is a master of dynamics, allowing a song to drift towards oblivion before suddenly bringing it back to a crescendo of intensity. Notable fans have included ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Harmonica, vocals, b. 1936) Carey Bell is one of Chicago’s most distinctive harmonica players. He began playing with pianist Lovie Lee in Mississippi at the age of 13 and moved to Chicago at 20. Sonny Boy Williamson II and Little Walter were key influences on his harmonica style, while tenures with Willie Dixon and Muddy Waters increased his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charles Edward Anderson Berry, known to all as Chuck, was born in St Louis, Missouri, on 18 October 1926, at the family’s home in Goode Avenue. The local gospel choir used it for their rehearsals and there was a well-employed piano in situ. Berry began learning the guitar in his mid-teens. At 17 he was involved ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1968–present) Many fans who love Fleetwood Mac’s string of 1970s hits are unaware of their earlier blues explorations. The band came into being when guitarist Peter Green, drummer Mick Fleetwood and bassist John McVie broke away from John Mayall’s Bluesbreakers. In 1968, with Jeremy Spencer on second guitar, Fleetwood Mac debuted on Blue Horizon. A ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1910–76) Howlin’ Wolf was born Chester Burnett in West Point, Mississippi, and learned the blues from Charley Patton and harmonica from Sonny Boy Williamson, who married his half-sister. After the Army, he began performing around West Memphis, Arkansas, wowing fans with his aggressive vocals and newfangled electric guitar. Promoting himself on ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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