SEARCH RESULTS FOR: ZZ Top
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Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1970–present) ZZ Top is a perennial blues trio from Houston, Texas, as well known for their sunglasses, furry guitars and long beards as for their signature boogie beats. Guitarist Billy Gibbons, bassist Dusty Hill and drummer Frank Beard specialize in hard, shuffling electric blues, usually tinged with humour and double entendres. Hits ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1969–present) A visually distinctive Texan trio comprising Billy Gibbons (vocals, guitar), Dusty Hill (bass, vocals) and Frank Beard (drums), ZZ Top honed their southern boogie through constant gigging. Supporting The Rolling Stones brought them to a wider audience and the third album Tres Hombres (1973) was the band’s commercial breakthrough. They went on to experience million-selling ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Guido of Arezzo (b. c. ad 990/5) was perhaps the most influential music theorist of all time. He not only wrote one of the most widely read treatises of the Middle Ages, the Micrologus, but he also invented the system of lines for notating music that is still used today and a method of teaching melodies using the syllables ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

California native Joe Pass (1929–94) developed a thoroughly precise jazz technique that propelled him to virtuoso status alongside pianist Oscar Peterson and vocalist Ella Fitzgerald, with whom he made a series of essential recordings for the Pablo label in the Seventies. Pass was raised in Johnstown, Pennsylvania. He took up guitar after being inspired by singing cowboy Gene Autry. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Jazz and R&B star George Benson (b. 1943) seemed destined for a respected but low-key career in cool jazz until he adopted a funky hybrid of jazz and soul for the 1976 album Breezin’. Driven by accessible instrumentals and a smash reworking of Leon Russell’s ‘This Masquerade’, the album made Benson the biggest star to cross over from jazz to pop ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

John Abercrombie (b. 1944) is a stylist who has managed to incorporate flavours of folk and rock along with world-music influences into his jazz-based repertoire. He was a highly influential fusion guitarist in the late Sixties and Seventies and has had an abundant career, working solo and with a multitude of collaborators, including Billy Cobham, Ralph Towner, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Considered one of modern jazz guitar’s ‘big three’ guitarists – along with Pat Metheny and Bill Frisell – John Scofield (b. 1951) is also one of the most versatile players of his generation. Conversant in fusion and hard bop as well as in the heady grooves of the jam-band scene, his stew of blues and jazz mixed with post-bop and ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Mike Stern (b. 1953), the American jazz guitarist, emerged as a major force in the jazz guitar scene through his work with Miles Davis’ band in the early Eighties, Stern has played with stars such as Stan Getz, Jaco Pastorius, Pat Martino and David Sanborn. Stern was also a guitarist in Steps Ahead and the Brecker Brothers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Randy Rhoads (1956–82) had a career that lasted only six years. He played with Quiet Riot and Ozzy Osbourne before dying in a plane crash in 1982. But his guitar style, which included classical influences, opened up new directions in heavy metal, and he was an acknowledged influence on a subsequent generation of guitarists, including Zakk Wylde. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Jakey Lou Williams (b. 1957) was born in Norfolk, Virginia. His father was a member of the US Navy, which meant frequent relocation. Finally, however, the Williams family settled down in San Diego, California, where Jake began taking classical piano lessons. But, upon hearing his older sister’s Jimi Hendrix, Led Zeppelin and Black ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

With his wide range of standard and unorthodox techniques, George Lynch (b. 1954) became a guitarist’s guitarist as he cruised through the various incarnations of his bands Dokken and Lynch Mob. Born in Spokane, Washington, and raised in California, Lynch became lead guitarist of Dokken in 1980 after auditioning for Ozzy Osbourne in 1979 and losing out ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Bâr’-bra Strot-se) 1619–64 Italian composer and singer In the 1630s, Strozzi was a central figure of the Venetian Accademia degli Unisoni, established by her adopted (or perhaps natural) father, the poet Giulio Strozzi, to provide a forum for her renowned vocal performances. A pupil of Cavalli, she published eight volumes of over 100 madrigals, motets, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Khres’-tof Vil’-le-balt fun Glook) 1714–87 Bohemian composer Gluck was born in Erasbach, by the Czech-German border; his native language may well have been Czech. His father, a forester, was opposed to a musical career, but the boy left home at 13 to study in Prague, where he took musical posts and went briefly to the university. At ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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