SEARCH RESULTS FOR: cymbal
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the fundamental note is difficult to hear when they are played. Cymbals used in traditional Southeast Asian music are generally played as crash cymbals and are developed from the Chinese cymbal (bo or jingbo), which have either no bell or a squared-off bell, falling to convex shoulders and a wide flat rim. The edge of the cymbal may also be ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

blues. It is also widely used in urban music across the world, such as Afrobeat and reggae. Drum-Kit Construction A typical drum kit comprises a bass drum and hi-hat cymbal played with foot pedals, a snare drum, two or three tom toms and suspended cymbals. The drummer sits on a stool. A right-handed player will play the bass ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

tone level and decay. However, many players found the playing surface of the pads too firm in comparison to conventional drums and, despite the introduction of hi-hat and cymbal sounds, most players found these inadequate and retained acoustic cymbals. The sound of the Simmons kit is one of the defining sounds of 1980s pop music and can be ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

leather handles or a pole – so that the edges of the metal can vibrate. Their manufacture remains a craft full of closely guarded secrets and tradition: the present-day Zildjian cymbal company is descended from a long line of Turkish cymbal-makers. There are now hundreds of varieties to select from, particularly for use on a drum kit, including: • ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

music, like the use of a shaker in Latin-American music, and may replace the drummer in a band. The performer may add other small percussion instruments like a cymbal, woodblock or cowbell to the washboard. Introduction | Percussion Instruments Instruments | Wooden | Percussion ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

the Yamaha VL-1 in 1994. Other Important Concepts • Envelopes: these refer to how aspects of a sound behave over time. For example, in terms of volume, a cymbal crash has a fast attack and a long, slow decay. Typical synthesizer envelope controls give the user control over the attack, decay, sustain and release (ADSR) portions ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

into Western Europe with returning Christian missionaries. Western military drums like the snare drum and timpani, as well as frame drums, derive from Middle Eastern drums. The Turkish cymbal has also been widely used in western music, and is played in the orchestra, and in the drum kit. Percussion instruments have also been developed through local ingenuity ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

1937, their rhythm section was both a revelation and a revolution – and brought jazz drumming into a new, more sleek modernity. A master of the steely hi-hat cymbal, Jones coaxed from it a supple, relaxed whoosh, sliding accents slightly to either side of the beat. It swung with an uncanny crackle and power and became ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1914–85) Kenny ‘Klook’ Clarke was a native of Pittsburgh, but made his primary contribution to jazz in New York in the early flowerings of bebop. Clarke, who adopted the Muslim faith as Liaquat Ali Salaam in 1946, is widely credited with developing the new rhythmic concepts that fuelled bebop. His work with Dizzy Gillespie and especially ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Max Roach was another hugely influential bebop and hard bop drummer. He and Kenny Clarke were the first drummers to spell out the pulse of a groove with the ride cymbal to get a lighter texture. This gave them more freedom to explore their drum kits, and to drop random snare ‘bombs’ while allowing the frontline virtuosos to play with ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

simpler and more rhythmic compared to hard bop, and influences from gospel and R&B were evident. In more traditional jazz forms, soloists would follow walking basslines or metric cymbal rhythms. In soul jazz, they followed a whole groove, which encouraged a different style of phrasing. Soul jazz, also known as jazz-funk, can be traced back ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

band music flowed smoothly on a steady 4/4 pulse, propelled by a foundation of string bass ‘walking’ in synch with the drums, which kept time on the high-hat cymbal and bass drum while providing syncopated accents on snare and tom-toms. The distinctive big band quality came from the use of separate trumpet, trombone and saxophone (alto, tenor ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Springfield The British Invasion Style The twanging riff leading into the beaty verse, with the guitar and bass bouncing off each other rhythmically and the drummer pounding the ride cymbal, was the hallmark of the first wave of the British invasion of America, and was the template for all the ‘Answer to The Beatles’ bands. Introduction | Pop ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Most Indian classical music has three main components: a solo melody line, a rhythmic accompaniment and a drone. Vocal music is predominant, although modern Western audiences are more aware of instrumental genres. Improvisation, a key feature of Indian music, is based on the elaborate rules of the ragas and talas, which are the principal formal concepts ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

As if at the convenience of history, the stock market crash in the final weeks of 1929 severed the 1920s from the 1930s. The breach was economic but its consequences were pervasive, sweeping away economic values and social illusions, and affecting all aspects of life for Americans and Europeans alike. America’s compliant 1920s middle class became the 1930s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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