SEARCH RESULTS FOR: easy listening
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Until it was reclaimed with an ironic wink by 1990s hipsters, easy listening had been hugely popular, but rarely cool. While the teenagers of the 1950s and 1960s were getting off on dangerous rock’n’roll and subversive R&B, their parents were sweetly cocooned in the music of Mantovani and Percy Faith. Easy listening music never launched any rebellions; no ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The classical period saw the rise of the ‘Harmonie’, a small wind band of up to a dozen instruments. Usually this consisted of a mixture of brass and reeds, such as horns, clarinets, oboes and bassoons: Beethoven’s octet op. 103 (1792) is written for two of each of these (the 1796 op. 71 sextet leaves out the oboes). ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Rock, jazz, soul; each of these genres, while containing a multiplicity of various offshoots, is defined by some kind of unifying theme. But this miscellaneous section, as any record collector will know, is where everything else ends up. Most of the styles within this ‘genre’ have little in common save the fact that they do ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, b. 1937) Columbia, South Carolina-born James William Anderson emerged as one of Nashville’s most celebrated songwriters in 1958, when Ray Price took his ‘City Lights’ to the top of the charts. Anderson soon signed his own recording contract with Decca Records and joined the Grand Ole Opry in 1961. In the years since he has parlayed his ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Producer, songwriter, multi-instrumentalist, b. 1936) One of Nashville’s most influential producers during the 1970s and early 1980s, Alabama-born Billy Norris Sherrill started out playing piano at tent shows where his father, an evangelist minister, preached. Later, he played in local rock’n’roll and R&B bands. When he came to Nashville in 1964, Sherrill brought ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Alternative guitarist Bob Mould (b. 1960) was born in Malone, New York. Mould was 16 when, inspired by The Ramones, he took up the guitar. While attending college in Minnesota in 1979, he founded Hüsker Dü, originally a hardcore punk/thrash band, with drummer Grant Hart and bassist Greg Norton. The band’s third album, Zen Arcade ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocals, b. 1961) Irish-born O’Donnell has gained a large UK audience through his easy listening-styled covers of sentimental pop standards, Irish favourites and country ballads, since signing with Irish label Ritz Records in 1986. In 1991, his albums held six of the top seven positions in the UK country chart, and his albums and singles have ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Born in Henderson, Tennessee, in 1918, Eddy Arnold has not only shown remarkable longevity as an artist (his career spans seven decades and he has sold more than 80 million records); he was also a pivotal figure in country music’s dramatic stylistic shift during the 1950s from rough and rural to urbane and sophisticated. Speaking Through Song A ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

James Travis Reeves, born in Galloway, Texas, on 20 August 1924, was one of the most talented singers to find his voice and define his musical style during the late 1950s’ emergence of the Nashville sound. Like Eddy Arnold and Ray Price (in his post-honky-tonk years), Reeves possessed a warm, reflective baritone that conveyed warmth and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Guitar, vocals, b. 1951) Songwriter Kevin Moore spent the 1970s and 1980s in his native Los Angeles, playing studio sessions and in mainstream funk and blues bands. Committing himself to blues, he travelled to the Mississippi Delta to study with the late guitarist Eugene Powell. Moore then combined blues with pop hooks and instrumental sweetening, and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, bandleader, b. 1926) One of the most important singers and innovators of the 1950s and 1960s, Perryville, Texas-born Ray Price introduced a more rhythmic and modernized variation of honky-tonk in the 1950s. In the early 1960s Price alienated some honky-tonk fans when he embraced the pop influences of the Nashville sound, with easy-listening hits like ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal group, 1965–75) Modelled on The Beach Boys and Four Seasons, and planting feet in both the easy-listening and hippy camps, this Californian sextet’s domestic chart career began with 1966’s ‘Along Comes Mary’. Next up were ‘Cherish’ and ‘Pandora’s Golden Heebie Jeebies’. After ‘Windy’ reached No. 1 and ‘Never My Love’ did nearly the same, The Association ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1964–68, 1975–78) The unrelated Walkers, Scott Engel (vocals, bass), John Maus (vocals, guitar) and Gary Leeds (drums), sought their fortunes in Britain where ‘Love Her’ made the Top 20 in 1965. Then came bigger smashes with ‘Make It Easy On Yourself’, ‘My Ship Is Coming In’, ‘The Sun Ain’t Gonna Shine Anymore’ and like ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Being perched at the top of the charts on 25 December has represented a prestigious achievement for musicians since the dawn of the pop era, while the shopping frenzy of the festive period makes it one of the most potentially profitable times to release a record. It wasn’t always that way: the original Yuletide songs were church carols that endure ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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