SEARCH RESULTS FOR: flugelhorn
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The flugelhorn developed from the bugle, a signalling horn used in the Middle Ages and made out of bull or ox horn. This developed into a large, semicircular hunting horn made of brass or silver that was used by the military during the Seven Years’ War (1756–63). History Wrapping the horn around itself once, so the bell pointed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The flugelhorn (or flügelhorn: Flügel means ‘wing’ in German) is a cornet-like valved brass instrument, a member of the bugle family. It has a conical bore and three valves; in Britain these are invariably piston valves, but German and Austrian ones have rotary valves. The flugelhorn’s ancestor was a type of semicircular hunting horn carried by the hunt-master who ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

instrument in jazz until the late 1920s, the cornet has continued to be favoured by some players, including Bobby Bradford and Graham Hynes. The cornet’s cousin, the flugelhorn, was a valved bugle that likewise never quite achieved symphonic status (although Ralph Vaughan Williams gave it a prominent role in his Ninth Symphony). Many people find it difficult ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

New brass instruments were also invented, many of which have stayed in brass bands and wind bands ever since. The cornet, the euphonium and saxhorn families, the flugelhorn and tuba all emerged in the 1830s and 1840s, and mass production enabled brass and wind instruments to be produced at a cost that ordinary people could afford. This ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

and Bix Beiderbecke. It has continued to be a popular instrument in jazz – and has even been heard in bop and free jazz. Introduction | Brass Instruments Instruments | Flugelhorn | Brass ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The early part of the nineteenth century was a rich period for the development of instruments; many designs dating from this period are now established as the standard forms. The brass world was no exception. Adolphe Sax A man with business acumen and a fascination with design, Adolphe Sax was quick to seize on these developments. Having found major success ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The shofar is a ram’s horn used as a musical instrument in Judaism. Broadly speaking, it was sounded at times of ceremony, such as the celebration of the new moon, at times of great significance, such as a drought or famine, and as a signal for war. Today, its use in secular contexts has largely ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

the instrument has proved popular with American wind and military bands, but it has not taken off in Europe. Styles & Forms | Late Romantic | Classical Instruments | Flugelhorn | Late Romantic | Classical ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The family of brass instruments includes all those that are sounded by the vibrations of a player’s lips. Though not all are actually made of brass, the majority of instruments in the family are made from metal alloys coated with a shiny lacquer. Brass instruments differ less in their construction than the woodwind family. Like their cousins, they make ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(Trumpet, flugelhorn, 1928–99) Art Farmer was largely responsible for popularizing the mellow-toned flugelhorn as a solo jazz instrument. A wonderfully lyrical player, he came up in Los Angeles’ Central Avenue jazz clubs in the 1940s and worked with Lionel Hampton, Horace Silver, Gerry Mulligan and alto saxophonist Gigi Gryce. In 1959–62 he and tenor saxophonist Benny ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Randy Brecker, trumpet, flugelhorn, b. 1945; Michael Brecker, tenor and soprano saxophone, EWI, 1949–2007) Philadelphia-born brothers Randy and Michael Brecker were already experienced players when they collaborated with drummer Billy Cobham in 1970 to form Dreams, one of the first groups to attempt combining elements of jazz and rock. In 1975 the siblings formed ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The history of post-war jazz tracked the musical development of Miles Dewey Davis III so closely that it is tempting to see the trumpeter as the orchestrator of each of the most significant stylistic shifts of the era. With the notable exception of free jazz, Miles seemed to trigger a new seismic shift in the music with each passing decade. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Instrumental group, 1971–present) The antithesis of the fusion music of the 1970s, Oregon comprised Paul McCandless (oboe, English horn, tenor saxophone, bass clarinet), Glen Moore (bass, violin, piano, flute), Ralph Towner (guitar, piano, French horn, trumpet, flugelhorn) and Colin Walcott (tabla, sitar, clarinet, percussion). In some ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Flugelhorn, cornet, valve trombone, 1923–86) The middle brother in Detroit’s musical Jones family, Thad Jones joined older sibling Hank at age 16 and, after wartime service, played with younger brother Elvin in Billy Mitchell’s band. He rose to prominence with Count Basie during a nine-year tenure (1954–63), but he became best known for the 13-year ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, flugelhorn, composer, 1944–89) A lyrical soloist, composer and bandleader, Shaw’s career was cut tragically short by illnesses, including deteriorating vision, and a subway accident that cost him an arm. After early work with Willie Bobo and Eric Dolphy, Shaw played extensively in Europe with US expatriates Bud Powell, Kenny Clarke and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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