SEARCH RESULTS FOR: funk metal
1 of 23 Pages     Next ›

Funk stars of the 1970s like The Ohio Players, Sly & The Family Stone and Funkadelic didn’t realize for a decade that hard rock ears had been paying attention. That same decade, Aerosmith’s combination of white-boy electric blues and propulsive arena hard rock had been deemed as unique, with just Grand Funk Railroad working along the similar lines. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Eddie Hazel (1950–92) was born in Brooklyn and grew up in Plainfield, New Jersey. He played guitar and sang in church. At the age of 12, he met Billy ‘Bass’ Nelson, and the pair sang and played guitar together. In 1967 the Parliaments, a Plainfield-based doo-wop band headed by George Clinton, hit the charts with ‘I ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

As a session guitarist, co-leader of the smash late-Seventies band Chic and star-making producer, Nile Rodgers (b. 1952) combined genres to create unexpected hits seemingly out of thin air. His funky guitar playing (along with partner Bernard Edwards’ bass) helped make Chic the most successful non-disco disco band, and his innate sense of rock and soul made a ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Eddie Van Halen redefined the sound of heavy metal at the end of the 1970s. His high-velocity solos, distinguished by his finger-tapping technique and tremolo-bar effects, on Van Halen’s 1978 debut album heralded a new era in hard-rock guitar that rejected the clichés of a jaded genre. His solo on Michael Jackson’s ‘Beat It’ in 1982, which effectively ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

When singer-guitarist Dave Mustaine was dismissed from the original Metallica line-up, it opened the door for a young Bay Area-based guitarist named Kirk Hammett (b. 1962) to come in and lead the thrash-metal charge. What Hammett and his mates in Metallica would accomplish from that point, no one could have predicted. Born in San Francisco, California, Hammett ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The term ‘heavy metal’ came from the controversial US Beat Movement novel, Naked Lunch, in which the author, William Burroughs, talked about ‘heavy metal thunder’. This phrase was used in Steppenwolf’s 1968 single ‘Born To Be Wild’, and helped christen an emerging sub-genre of hard rock. The origins of heavy metal are heard in the hard rock ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Speed and thrash metal sprang to prominence in America during the early 1980s, with fans around the globe forming their own groups. Equally indebted to the do-it-yourself ethos of the New Wave Of British Heavy Metal and the underground spirit of hardcore punk, the style’s original progenitors were frighteningly young, but had spent years sharpening their musicianship. Speed ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Death metal and grindcore both had roots in the decaying thrash metal scene of the mid-1980s. As that decade concluded, musicians on both sides of the Atlantic were looking for new and horrific ways to shock. The styles ended up gravitating towards one another, but began life as very different entities. Death metal bands like Morbid Angel and Death ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Canadian trio Rush had little idea of the magnitude of their actions when they released Caress Of Steel in September of 1975. Just seven months after the group’s second album, Fly By Night, it saw them board a creative wave that for many fans would peak with their next studio release, 1976’s conceptual album 2112. Though still recognizeable ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

By the end of the 1980s, thrash metal was on its last legs. Metallica and Slayer were on the path towards acceptance by the mainstream and it seemed as though heavy metal was in danger of losing not only the extremity upon which it had been founded, but also its shock value. How ill-founded those assumptions turned out to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the genre’s name so boldly implies, timing and image were both of critical importance to the realm of nu metal. In pure musical terms there was little to unite the scene’s leading exponents, save for the radical detuning of their instruments and a desire to distance themselves from such old-school hard rock favourites as Iron Maiden and Metallica. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Since the dawn of the jazz era, the appeal of pop music had become increasingly intertwined with the demands of the dancefloor. As 1960s rock and soul became ever tougher and more orientated towards youth and hedonism it was only a matter of time before someone would come up with the ultimate dance groove. That someone was soul’s greatest innovator ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

By the 1970s, the new sound of funk dominated Afro-American music. Jazzers such as Miles Davis and Herbie Hancock scored their biggest commercial successes by incorporating its hip-grinding rhythms into what became known as fusion or jazz funk, while soul acts enjoyed a second wave of popularity as funk provided the bridge between the soul and disco eras. Fuelled ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A range of metal percussion instruments are found in the western orchestra, many of which have ancient and global origins. Triangle The triangle comprises a slim steel bar, circular in cross-section, bent into an equilateral triangle (18 cm/7 in each side) with one corner open. It is played with a metal rod, and is suspended from a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Inspired largely by heavy metal founders Black Sabbath, the doom metal bands based their sound on the slower and more ‘sludgy’ elements of Sabbath’s sound, as can be heard on ‘Planet Caravan’ from Paranoid (1970) and ‘Sweet Leaf’ from Master Of Reality (1971), rather than the faster and more brutal elements of their music. As the name suggests, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
1 of 23 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.