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(Vocal/instrumental group, 2004–present) True suburban boys, Hard-Fi – Richard Archer (vocals), Ross Phillips (guitar), Kai Stephens (bass) and Steven Kemp (drums) – claim to have recorded their debut, Stars Of CCTV (2005) in a local taxi office in Staines, east London. A heady mix of social observation and steely dance rhythms, the four-piece play on their ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Hard bop evolved out of bebop during the early 1950s but its rhythms were more driving and syncopated. Hard bop also tended to have a more full-bodied sound, a bluesy feel with darker textures and shorter improvised lines, and its chord progressions were usually composed rather than borrowed from popular tunes. Although Miles Davis made an early foray into ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Hard rock is a cross between rock’n’roll and blues, but played louder – everything on ‘11’ or ‘one louder’, as guitarist Nigel Tufnell in spoof rock band Spinal Tap would say. The electric guitar is the prominent instrument in hard rock, and most hard rock songs are based on a guitar ‘riff’. The classic example of a hard rock ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Contemporary music whose ancestry lies in the Western classical tradition finds itself in a curious position. Nothing illustrates this better than the fact that we are not entirely sure what to call it. The label ‘classical’ seems anachronistic, especially when applied to composers who have challenged some of the fundamental assumptions of the classical tradition. ‘Concert music’ is similarly problematic ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

‘Medieval’ as a concept is very hard to define, and the period itself is just as difficult to delineate. It was a term invented by Renaissance writers who wished to make a distinction between their modernity and what had gone before. Although the onset of the Renaissance is often taken to be around the beginning of the fourteenth century, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The term ‘Impressionism’ is associated in music primarily with the work of Debussy, but is also used in connection with Ravel, Stravinsky, Szymanowski and others. While Debussy did not enjoy a personal association with any of the leading Impressionists, certain analogies between his aesthetic and techniques and those of painters such as Monet, Renoir and Pissarro ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Gamelan is an orchestral tradition in Java and Bali, where every instrument – various gongs and drums – is a member of the percussion family. The tradition emphasizes respect for the instruments and cooperation between the players. In 1887, the Paris Conservatoire acquired a gamelan. In 1889, Debussy went to the Paris Exhibition, where he heard the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music today retains little of the regional identity that characterized it in its early days. There are pockets of resistance to this homogeneity and to the hegemony of Nashville – a honky-tonk dance circuit and a fiercely independent singer-songwriter tradition in Texas, for example – but overall the scene is one of major stars playing huge venues. The middle ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Computer music can be defined as music that is generated by, or composed and produced by means of, a computer. The idea that computers might have a role to play in the production of music actually goes back a lot further than one might think. As early as 1843, Lady Ada Lovelace suggested in a published article that ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Bass Guitar In 1951, guitar maker Leo Fender launched the first commercially available electric bass guitar, the Fender Precision. Compared to the cumbersome and often difficult-to-hear acoustic double bass, Fender offered an instrument that had many advantages. Not only was it louder because it was amplified – and more portable – it allowed for more precise intonation because ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A type of xylophone, the marimba is a percussion instrument. The percussionist strikes a row (or two rows) of wooden blocks – laid out like a keyboard – beneath which are attached a series of echo chambers that resonate the sound. The compass of the instrument varies, but generally covers three or four chromatic octaves from the C below ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Unlike all other instruments, the organ can actually form part of the building in which it performs and its effect on church architecture has been matched only by that of the choir. While the internal workings of the organ have changed little over the centuries, one thing that has changed is the organ case. Every instrument needs to be ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Bass Drum The dominant feature of every military band is its big bass drum. Throughout the history of percussion instruments, this drum has been the mainstay of time-keeping, whether it is used for a marching army or in a late-twentieth century heavy metal band. Early versions of the bass drum (it was certainly known in Asia around 3500 BC) ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The racket was a short double-reed instrument that looked like a kaleidoscope. It had nine parallel bores, all connected at alternate ends to form a continuous tube, with eight of them arranged around a central ninth. In this last a reed was inserted on a staple, much as in a shawm. The fingerholes were at the front and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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