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Southern-rock guitarist Duane Allman was born in Nashville, Tennessee in 1946. Allman was inspired to take up the guitar by his brother Gregg. At first, they played country music, their initiation into the blues coming when the brothers saw B.B. King performing in Nashville. The pair began playing professionally in 1961, first in The Allman Joys ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Taking its lead from the loud blues rock of late-1960s bands such as Cream and The Grateful Dead, southern rock materialized with the release of The Allman Brothers Band’s eponymous 1969 debut album, which embellished a fusion of rock’n’roll, blues, country and jazz with a distinct good ol’ boy edge from directly below the Mason-Dixon Line. Natives ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The dominant style in art at the start of the classical era was the Rococo (from rocaille, ‘shellwork’). Created in early eighteenth-century France, its leading figures in the graphic arts were Antoine Watteau and François Boucher. The closest musical analogue is not Mozart (as once was traditionally argued) but François Couperin (1668–1733) – the late Baroque generation, in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music today retains little of the regional identity that characterized it in its early days. There are pockets of resistance to this homogeneity and to the hegemony of Nashville – a honky-tonk dance circuit and a fiercely independent singer-songwriter tradition in Texas, for example – but overall the scene is one of major stars playing huge venues. The middle ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The banjo is a plucked stringed instrument with a circular body and fretted neck. Its roots lie in the French and British colonies of Africa, where instruments made from a hollowed-out gourd covered with animal skin, bamboo neck and catgut strings were popular. Particularly associated with celebrations and dancing, these instruments went by various names including banza and ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Fiddles, generically, are bowed lutes. The term ‘fiddle’ denotes a stringed instrument with a neck, bearing strings that are sounded by the use of friction rather than plucking or striking. Playing the Fiddle In almost all fiddles the world over, friction is provided by a bow strung with rosined horsehair. The hair is tensioned by the springiness ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A frame drum is a skin stretched over and nailed to a shallow square or circular frame. It is played with sticks or with the hands. Frame drums are common to many musical cultures, and the modern tambourine and bodhrán are essentially the same instruments that were being played in Arabia and India in pre-Islamic times. They are often played ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The word ‘lute’ is the collective term for a category of instruments defined as ‘any chordophone having a neck that serves as string bearer, with the plane of the strings running parallel to that of the soundboard’. In other words, the lute is a soundbox with a neck sticking out. The strings of some are plucked, some are ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

As the name suggests, a scraper comprises a ridged edge which is scraped with a stick. Scraping instruments are common in Africa, Central and South America and the Carribean, and are played with sticks, combs or a switch. Güiro The güiro or reco-reco (raspador, casaca) originated in Africa and is made of ridged bamboo, or ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Acoustic Guitar Throughout its history, the guitar has – perhaps more than any other instrument – managed to bridge the gap between the often disconnected worlds of classical, folk and popular music. Its roots go back to Babylonian times; by the 1500s it was prevalent in Spain, and is still sometimes called the Spanish guitar. Medieval versions – ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Transverse flutes worldwide, though they vary cosmetically and in size, have few variations on a common design: a parallel-bored tube with blowing aperture and a row of finger holes on the front (and occasionally a thumb hole). Most are made from locally available tubular materials, particularly bamboo. End-blowing means that, in a bamboo or reed flute, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Hank Williams and George Jones would have found the whole notion of alt-country unfathomable. Why would anyone seek an alternative to bestselling country records ? For these sons of dire southern poverty, the whole point of making country records was to sell as many as possible and maybe catch hold of the dignity and comfort that a middle-class life might ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Before the Second World War, it was possible to live in certain areas of the USA in almost complete isolation. In the time of The Carter Family, many rural residents never travelled more than 80 km (50 miles) from their birthplace. But that began to change. The First World War, the Great Depression and the Second World War ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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