The Nashville Sound

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(Vocals, 1932–63) The late Cline, who died in a plane crash, was Nashville’s queen of the heartbreak ballad who, it was said, could ‘cry on both sides of the microphone’. She was catapulted from obscurity through a performance of her maiden single (and, soon, first hit), ‘Walking After Midnight’, on a TV talent contest in 1957. While the former Virginia Hemsley scored heaviest in Billboard’s C&W charts, she crossed over into ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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After the seismic shifts of the previous decade, the 1970s reflected faster-moving, less permanent crazes, beginning with glam rock and ending with the new wave. Glam rock saw the likes of Alice Cooper and Kiss taking make-up to extremes, while the comparatively anonymous Eagles and Bruce Springsteen respectively updated the blueprints established the previous decade by country rocker Gram Parsons and singer-songwriter Bob Dylan. As Motown moved from Detroit to the West ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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The Nashville sound has been both praised and maligned. Occasionally called ‘crossover country’, ‘easy listening country’ or ‘countrypolitan’, it was a trend more than an innovation. As such, it arose as much from commercial considerations as it did from personal artistry. All through the decades there have been periodic cross-pollinations between the country world and the wider pop audience. From the 1930s well into the 1950s Grand Ole Opry star Red ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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