(Vocals, b. 1941) Ernest Evans started out as a Philadelphia novelty act who had his first hit in 1959 as a musical impressionist. In 1960, he recorded a more innocent version of a steamy Hank Ballard B-side, ‘The Twist’, which made it to the US No. 1, bubbling under for over a year afterwards before, uniquely ...
(Vocal/instrumental group, 1967–present) Much of this good-time blues outfit’s allure lay in the disparate natures of its late front men: jocular Bob ‘Bear’ Hite (vocals) and intense Al ‘Blind Owl’ Wilson (vocals, harmonica, guitar). 1968’s Boogie With Canned Heat and its attendant ‘On The Road Again’ hit established them as a world-class act. ‘Goin’ Up The Country’ and ...
(Piano, singer-songwriter, b. 1928) Signed to Imperial Records, New Orleans-born Antoine Domino’s first million-seller, ‘The Fat Man’ (1949) began a run of over 60 US pop and R&B hits by 1964, many written by Domino with Dave Bartholomew. Other million-selling classics included ‘Ain’t That A Shame’ (1955), ‘Bo Weevil’, ‘I’m In Love Again’ and ‘Blueberry Hill ...
(Bandleader, vocals, 1936–2003) Alabama-raised Henry ‘Hank’ Ballard fronted The Midnighters (previously The Royals). 1954 brought the Detroit group four big US R&B hits with risqué lyrics about a fictitious ‘Annie’. In 1960, the group released the original version of ‘The Twist’, written by Ballard, but the younger, more photogenic Chubby Checker took the million sales and ...
As the 1960s approached, the controversy associated with rock’n’roll was superseded by an array of inoffensive smoothies on both sides of the atlantic. However, the ongoing popularity of artists such as Elvis Presley, Bobby Darin, Ricky Nelson, Sam Cooke, and, in the UK, Lonnie Donegan, Billy Fury and Cliff Richard, ensured ...
Few genres are as closely identified with one person as bluegrass is with Bill Monroe (vocals, mandolin, 1911–96). Monroe not only defined the style’s instrumentation, style and repertoire, he also hired most of its major figures and gave the music its name – taken from his group, The Blue Grass Boys. Kentucky Roots Raised on his ...
A pivotal figure in the transition from blues to rock’n’roll, Bo Diddley was born Elias Bates in McComb, Mississippi in 1928. When he was seven, the family relocated to Chicago, where he took violin lessons before switching to guitar, inspired by John Lee Hooker. He began by playing on street corners, then in the Hipsters. ...
(Guitar, vocals, 1928–2008) Born Ellas Bates in McComb, Mississippi, Bo Diddley developed his guitar skills and stage persona in Chicago. He had his first guitar by the age of 10. By 1951, at 23, he was a regular in clubs on Chicago’s South Side. By 1955 he was signed to Checker, a spinoff of ...
‘When I first heard of the electric guitar, I thought somebody was bullshittin’ me,’ says George ‘Buddy’ Guy. ‘We lived so far in the country I didn’t even know what an acoustic guitar was until my mother started getting mail-order catalogs’. In 2005, Guy, who was born in Lettsworth, Louisiana on 30 July 1936, stands ...
(Vocals, guitar, b. 1938) Delmar Hawkins was born in Goldmine, Louisiana, and is a cousin of Ronnie Hawkins. His biggest success came in 1957 with the self-penned ‘Suzie-Q’ on Checker which, like most of his rockabilly, reflected the strong blues influence in his music. Dale was the first white singer to appear at Harlem’s Apollo ...
Even when he was sober, Jimmy Martin (vocals, guitar, 1927–2005) was willing to tell anyone who would listen why he was the ‘king of bluegrass’. After all, didn’t Bill Monroe’s sound change dramatically when Martin joined The Blue Grass Boys in 1949 ? Didn’t Martin create a brand new honky-tonk/bluegrass hybrid on his great Decca recordings of ...
(Guitar, vocals, 1934–2005) Born to sharecroppers in Inverness, Mississippi, the country music Milton Campbell heard in radio broadcasts from the Grand Ole Opry shaped his soulful sound as much as gospel and blues. After regional success, he signed to the Chess Records subsidiary Checker in 1961 and cut the classics ‘If Walls Could Talk’, ‘Feel So ...
(Harmonica, vocals, 1930–68) Marion Walter Jacobs was born in Marksville, Louisiana. He taught himself harmonica at the age of eight and was working the New Orleans streets by the time he was 12. He worked in Helena, Arkansas (where he met Rice Miller) and St. Louis before arriving in Chicago in 1946. He was encouraged by guitarists ...
(Vocals, guitar, 1930–93) After three years of pioneering three-part ‘high-lead’ harmonies with The Osborne Brothers, Red Allen split with his Ohio pals, convinced he could be a bluegrass star in his own right. He and another Dayton friend, mandolinist Frank Wakefield, moved to Washington in 1960 and recorded with musicians such as Chubby Wise and ...
(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.