SEARCH RESULTS FOR: Kasey Chambers
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It makes sense that Australia would be the one country outside North America to develop an important country-music scene of its own. Like the USA and Canada, Australia had a large, under-populated frontier that was settled by English, Irish and Scotch immigrants who brought their folk songs with them. Roughened and toughened by frontier life, those songs ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In 1981, Sam Bush (mandolin, vocals, b. 1952) lost half of his band, The New Grass Revival, to road weariness. Courtney Johnson (banjo, 1939–96) and Curtis Burch (guitar, vocals, b. 1945) were exhausted by the tours with Leon Russell and the club and festival dates in between. So Bush and his remaining partner ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Hank Williams and George Jones would have found the whole notion of alt-country unfathomable. Why would anyone seek an alternative to bestselling country records ? For these sons of dire southern poverty, the whole point of making country records was to sell as many as possible and maybe catch hold of the dignity and comfort that a middle-class life might ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When Steve Earle (b. 1955) was released from prison on 16 November 1994, it had been four years since he had released a studio album and three years since he’d done a tour. During that time lost to heroin and crack, much had changed in the world of country music. The charismatic but mainstream-pop-oriented Garth Brooks (b. 1962) was ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A type of xylophone, the marimba is a percussion instrument. The percussionist strikes a row (or two rows) of wooden blocks – laid out like a keyboard – beneath which are attached a series of echo chambers that resonate the sound. The compass of the instrument varies, but generally covers three or four chromatic octaves from the C below ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

By the time John Coltrane died in 1967 at the age of 40, he had experienced one of the most remarkable careers in music. ‘Trane’ was a compelling voice who contributed to some of jazz’s greatest innovations, from bebop to free jazz, resulting in both controversy and enduring success through critical and popular acclaim. Revered during his lifetime ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

John McLaughlin (b. 1942) led the Mahavishnu Orchestra and a series of other bands that stretched the boundaries of jazz-rock fusion and world music, as he inspired guitarists worldwide with his inventiveness and devotion to exotic sounds and spirituality. McLaughlin started on guitar when he was 11 and was initially inspired by blues and swing players. McLaughlin worked with Alexis ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Brothers Caleb (born 14 January 1982, vocals and rhythm guitar), Jared (born 20 November 1986, bass) and Nathan Followill (born 26 November 1979, drums) and their cousin Matthew Followill (born 10 September 1984, lead guitar) grew up in Tennessee’s deep south with the brothers’ Pentecostal preacher father, learning the way of the Lord. But their love ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Mike Stern (b. 1953), the American jazz guitarist, emerged as a major force in the jazz guitar scene through his work with Miles Davis’ band in the early Eighties, Stern has played with stars such as Stan Getz, Jaco Pastorius, Pat Martino and David Sanborn. Stern was also a guitarist in Steps Ahead and the Brecker Brothers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

The history of post-war jazz tracked the musical development of Miles Dewey Davis III so closely that it is tempting to see the trumpeter as the orchestrator of each of the most significant stylistic shifts of the era. With the notable exception of free jazz, Miles seemed to trigger a new seismic shift in the music with each passing decade. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1974) Typically, the first single issued in 1996 by this former Take That member was a cover version of George Michael’s ‘Freedom’. Although ‘Old Before I Die’ was another hit in 1997, there was a perception that things might be slipping away due to Williams’ passion for late nights, drugs and alcohol. In fact co-writing ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1978–present) Ohio-born, British-based Chrissie Hynde’s tough, tuneful voice has established her as an iconic female rocker. Drawing on punk and 1960s pop (she had a daughter with The Kinks’ Ray Davies and had hits with two of his songs, ‘Stop Your Sobbing’ and ‘I Go To Sleep’), The Pretenders produced an exhilarating, melodic hybrid ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

In the 1980s, trumpeter Wynton Marsalis leapt from jazz-steeped New Orleans to international artistic prominence. In 1979 he was enrolled in New York City’s Juilliard School and was jamming with Art Blakey’s Jazz Messengers, and 10 years later he had seeded what has become an unrivalled international jazz performance centre. In between, Marsalis established himself as a hot ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal group, 1977–92, 1999–2006) Influential Swindon new-wavers, fronted by Andy Partridge (guitar, vocals) with Colin Moulding (bass, vocals), Barry Andrews (keyboards) and Terry Chambers (drums, until 1985). After two 1978 albums, White Music and Go 2, Andrews departed and the band’s sound was overhauled when guitarist Dave Gregory was recruited. Critical acclaim for ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

After the seismic shifts of the previous decade, the 1970s reflected faster-moving, less permanent crazes, beginning with glam rock and ending with the new wave. Glam rock saw the likes of Alice Cooper and Kiss taking make-up to extremes, while the comparatively anonymous Eagles and Bruce Springsteen respectively updated the blueprints established the previous decade by country ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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