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Steven Tyler (vocals) and Joe Perry (guitar). The pair came together in Boston, Massachusetts, with Joey Kramer (drums), Brad Whitford (guitar) and Tom Hamilton (bass). Their first album Aerosmith (1973) was an immediate success, paving the way for the multi-platinum Toys In The Attic (1974) and Rocks (1975). Antagonism between Tyler and Perry led to the latter’s departure ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

and ‘Runaway’ was a minor hit. 7800 Fahrenheit (1985) peaked just inside the Top 40 and made the UK Top 30 following a British tour. Recruiting songwriter Desmond Child (of Aerosmith and Kiss) and producer Bruce Fairburn (of Blue Oyster Cult) they recorded their make-or-break album, Slippery When Wet (1986). It stormed to the top of the US charts, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

soon discovered the playing of such British blues-rock guitar greats as Jeff Beck, Jimmy Page and Peter Green. In 1969, while playing in The Jam Band (with future Aerosmith bassist Tom Hamilton), Perry met singer Steven Tyler, and the two decided to join forces, calling themselves Aerosmith. Combining the gritty rock of The Stones with the heavy ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

guitar for his fourteenth birthday, he taught himself to play along to AC/DC and The Cars. Cobain was influenced equally by hard rock, punk and pop, admiring Aerosmith, Black Sabbath, Led Zeppelin, Cheap Trick, Boston, The Sex Pistols, Sonic Youth, The Pixies and, he claimed, The Bay City Rollers. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

It was defiantly avant-garde but still made a brief appearance in the US Top 50. The Patti Smith Group toured Britain and Europe before releasing Radio Ethiopia (1976), working with Aerosmith producer Jack Douglas who gave the album a harder feel with guitar solos, although the experimental spirit was never far beneath the surface and came to the fore on ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Rap group, 1982–2002) Pioneers of hip hop, Run was born Joseph Simmons; DMC was Darryl McDaniel; with Jam Master Jay (b. Jason Mizell) on the decks. Their big, simple beats were heard on the eponymous debut (1983) and King Of Rock (1985), and as part of the first and best rock-rap crossover ‘Walk This Way’ with Aerosmith. Run ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

, an album that would go on to become one of the biggest rock’n’roll albums in history. The album would catapult the band (and its excesses) into the realms of Aerosmith and The Rolling Stones. But on an individual level, it would install Slash as the era’s premier guitar anti-hero, a role model for aspiring guitarists uninterested in the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

is an unsung classic, but The Adverts split after the disastrous reception that greeted the adventurous Cast Of Thousands (1979). Styles & Forms | Seventies | Rock Personalities | Aerosmith | Seventies | Rock ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Once hip hop had expanded beyond apparently using the hook lines from Chic’s ‘Good Times’ as the basis for just about everything, it quickly became as diverse as any other black music genre. Its evolution in recording studios took it way beyond the scope of conventional instruments. Can’t play piano like Herbie Hancock or bass like Bootsy ? So what ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

, though the perfectionist streak of the reclusive Scholz has created just four more albums in the ensuing quarter of a century. MTV And Mass Appeal In the 1980s, Aerosmith, Heart and Whitesnake – all acts with uniquely different roots – moved in to stake their claims in the arena rock market. With their leaner, more blues-based heritage ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

for an avalanche of other like-minded acts. In 1986, The Beastie Boys, whose rock-fuelled Licensed To Ill was the first hip hop album to top the American chart. Aerosmith frontman Steven Tyler himself had described The Red Hot Chili Peppers as ‘fuckin’ great’, and The Chilis’ breakthrough arrived with their 1991 album, the Rick Rubin-produced Blood Sugar Sex ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

denser, more in-your-face and technologically superior. It instantly took rap to a mainstream market by airing Run DMC’s ‘Walk This Way’, a single and video featuring hard rock favourites Aerosmith, on MTV. Ironically, although it was not a Def Jam record, and despite the fact that Simmons managed Run DMC (his brother Joseph is Run) and had ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

excesses – until it kills them that is. Ironically, AC/DC came back stronger than ever after the death of their singer Bon Scott, with Back In Black (1980). Aerosmith seemed destined for the ‘where are they now ?’ file after the ravages of drugs sidetracked their career – singer Steve Tyler survived being pronounced dead – but a collaboration ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Buoyed by its unprecedented international exposure in the 1990s, Latin pop greeted the new century with the first-ever Latin Grammy awards, which took place in the United States in September 2000. Conceived as an internationally minded award, clearly distinct from – although related to – the Grammys, one of the objectives of the Latin Grammys was to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

found it a life-changing experience. The last date in Manchester was filmed for Granada TV’s So It Goes. Strummer dedicated ‘I’m So Bored With The USA’ to ‘Ted Nugent, Aerosmith, Journey and, most of all, Blue Oyster Cult’. It so happened Blue Oyster Cult’s manager/producer was in the audience and was in the frame to produce The ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent
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