SEARCH RESULTS FOR: Big Bill Broonzy
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(Guitar, vocals, 1893–1958) A powerful guitarist and prolific composer, Big Bill Broonzy linked the Mississippi delta blues of Robert Johnson with the electrified Chicago sound of Muddy Waters and others. Broonzy was recognized early on by the nascent folk music movement in the 1940s. Underappreciated in America, he gained a wide following in Europe through live performances ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The parents of William Lee Conley Broonzy were born into slavery. He was born in June 1893 in Scott, Mississippi, one of 17 children. Raised on a farm in Arkansas, Broonzy’s first musical instrument was a home-made violin, which he played at church and social functions. In the early teens he was an itinerant preacher, while ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Bill Frisell (b. 1951) is a North American guitarist and composer who built an eclectic career creating guitar music in several disciplines and genres. He was born William Richard ‘Bill’ Frisell in Baltimore, Maryland, but spent most of his youth in the Denver area. He went to the University of Northern Colorado, where he studied guitar with Johnny ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Too often, the music created by so-called ‘shred’ guitarists comes across as too cerebral and serious to elicit enjoyment from any but the most die-hard shred fan. Fortunately for all other fans of instrumental guitar, Paul Gilbert (b. 1966) prefers to dish out his hungry-man portions of notes with humour and irreverence matched only by his technical ferocity. Gilbert ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

A slapped upright bass, twanging lead guitar and acoustic rhythm guitar; a blues structure with country and blues inflections; a strong beat and moderate-to-fast tempo; a wild, yelping, often stuttering vocal style, together with plenty of echo on the recordings are the main ingredients of rockabilly. The rockabilly style was an eclectic hybrid of R&B, hillbilly ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1905–53) Major Merriweather was born in Georgia and taught himself to play piano. He moved to Detroit in 1924 and worked at the Ford Motor Company, also playing jobs, mostly as a soloist, before moving to Chicago. There he developed a friendship with Tampa Red and they recorded for Bluebird in 1941. His ‘Worried ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Billie Holiday was entirely untrained as a singer, but drew on the example of popular recording artists such as Bessie Smith and Louis Armstrong in developing her musical approach. She was able to make much of poor songs as well as great ones. Her phrasing, intonation, attention to the weight and nuance of lyrics, and her lightly ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Joseph Vernon Turner was born on 18 May 1911 in Kansas City, Missouri. He dropped out of school after sixth grade and worked with blind singers on the streets. The blues was in the air in Kansas City and when Turner joined in with the street singers he would make up blues lyrics. Turner was functionally illiterate and never learned ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1910–51) Catlett was one of the most well-respected and versatile jazz drummers of the 1930s and 1940s. He played in a variety of ensembles under such luminaries as Benny Carter, Fletcher Henderson, Benny Goodman and Duke Ellington, before going on to join Louis Armstrong’s All-Stars. Catlett’s remarkable adaptability enabled him to play in a wide range ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1905–74) Arthur William Crudup was born in Forest, Mississippi and did not learn to play the guitar until his 30s. He worked functions in the Clarksdale area before moving to Chicago in 1940, signing with Bluebird in 1941 and finding considerable popularity on record. He returned to Mississippi after the Second World War and worked ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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