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Joseph Vernon Turner was born on 18 May 1911 in Kansas City, Missouri. He dropped out of school after sixth grade and worked with blind singers on the streets. The blues was in the air in Kansas City and when Turner joined in with the street singers he would make up blues lyrics. Turner was functionally illiterate and never learned ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1911–85) Big Joe Turner’s tenure as ‘Boss of the Blues’ is dominated by one song, ‘Shake, Rattle And Roll’, which became an early rock’n’roll anthem as recorded by white artists Bill Haley and Elvis Presley. But Turner’s long career and legacy of R&B hits includes boogies like ‘Roll ‘Em Pete’, the seminal blues of ‘Cherry Red’, and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alternative-rock guitarist Joey Santiago (b. 1965) was born in Manila, Philippines, to a wealthy family, who emigrated to the United States when President Marcos declared martial law. The family eventually settled in Massachusetts. Joey first played guitar at the age of nine, becoming a fan of Seventies punk and David Bowie. At the University of Massachusetts, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

California native Joe Pass (1929–94) developed a thoroughly precise jazz technique that propelled him to virtuoso status alongside pianist Oscar Peterson and vocalist Ella Fitzgerald, with whom he made a series of essential recordings for the Pablo label in the Seventies. Pass was raised in Johnstown, Pennsylvania. He took up guitar after being inspired by singing cowboy Gene Autry. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

American guitarist Joe Satriani is widely credited with pioneering the rock-instrumental style in the 1980s, opening up the genre for guitarists like Steve Vai, Eric Johnson and Yngwie Malmsteen. His talent for creating highly evolved music, using a pop-song structure with tuneful melodies before applying his own virtuoso skills, has made him one of the most successful ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Joe Bonamassa, born in 1977, began playing guitar at the age of four on a small instrument given to him by his father. By the age of seven, he was playing Stevie Ray Vaughan songs on a full-size guitar. Bonamassa began performing in upstate New York at the age of 10 and was discovered by the blues great ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Rock’n’roll pioneer Ike Turner was born in Clarksdale, Mississippi in November 1931. He displayed an early interest in music while working for a local radio station. He was taught to play boogie-woogie piano by one of his idols, blues musician Pinetop Perkins. Inspired by other bluesmen like Howlin’ Wolf, Sonny Boy Williamson II, Muddy Waters and Elmore ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Too often, the music created by so-called ‘shred’ guitarists comes across as too cerebral and serious to elicit enjoyment from any but the most die-hard shred fan. Fortunately for all other fans of instrumental guitar, Paul Gilbert (b. 1966) prefers to dish out his hungry-man portions of notes with humour and irreverence matched only by his technical ferocity. Gilbert ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One half of the infamous ‘Toxic Twins’, along with vocalist Steven Tyler, Aerosmith’s Joe Perry projects a swagger and ultra-cool stage presence that few guitarists can match. Fewer still possess his capacity for muscular, gritty soloing and hook-laden riffing. For over 30 years now, Perry and his stinging guitar tone, generated most often via his signature Gibson ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Joe Walsh (b. 1947) was born in Kansas and spent his childhood in Ohio and his high-school years in New Jersey before returning to Ohio to attend college at Kent State. He played bass in various bands before adopting guitar for a stint in the local group The Measles from 1965 to 1969. That led to a spot with Cleveland-based trio ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Violin, 1903–78) Venuti teamed up with guitarist Eddie Lang in 1926 for some classic duet sessions on OKeh. They reprised their intimate chemistry on 1928 sessions and worked together through the 1920s and 1930s on recordings for Jean Goldkette, Paul Whiteman, Red McKenzie and Roger Wolfe Kahn. In 1933 Venuti led small group sessions and in 1935 fronted ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The parents of William Lee Conley Broonzy were born into slavery. He was born in June 1893 in Scott, Mississippi, one of 17 children. Raised on a farm in Arkansas, Broonzy’s first musical instrument was a home-made violin, which he played at church and social functions. In the early teens he was an itinerant preacher, while ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1905–53) Major Merriweather was born in Georgia and taught himself to play piano. He moved to Detroit in 1924 and worked at the Ford Motor Company, also playing jobs, mostly as a soloist, before moving to Chicago. There he developed a friendship with Tampa Red and they recorded for Bluebird in 1941. His ‘Worried ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1910–51) Catlett was one of the most well-respected and versatile jazz drummers of the 1930s and 1940s. He played in a variety of ensembles under such luminaries as Benny Carter, Fletcher Henderson, Benny Goodman and Duke Ellington, before going on to join Louis Armstrong’s All-Stars. Catlett’s remarkable adaptability enabled him to play in a wide range ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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