Few genres are as closely identified with one person as bluegrass is with Bill Monroe (vocals, mandolin, 1911–96). Monroe not only defined the style’s instrumentation, style and repertoire, he also hired most of its major figures and gave the music its name – taken from his group, The Blue Grass Boys. Kentucky Roots Raised on his ...
Bill Frisell (b. 1951) is a North American guitarist and composer who built an eclectic career creating guitar music in several disciplines and genres. He was born William Richard ‘Bill’ Frisell in Baltimore, Maryland, but spent most of his youth in the Denver area. He went to the University of Northern Colorado, where he studied guitar with Johnny ...
Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...
Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...
Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...
A slapped upright bass, twanging lead guitar and acoustic rhythm guitar; a blues structure with country and blues inflections; a strong beat and moderate-to-fast tempo; a wild, yelping, often stuttering vocal style, together with plenty of echo on the recordings are the main ingredients of rockabilly. The rockabilly style was an eclectic hybrid of R&B, hillbilly ...
The parents of William Lee Conley Broonzy were born into slavery. He was born in June 1893 in Scott, Mississippi, one of 17 children. Raised on a farm in Arkansas, Broonzy’s first musical instrument was a home-made violin, which he played at church and social functions. In the early teens he was an itinerant preacher, while ...
(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...
Billie Holiday was entirely untrained as a singer, but drew on the example of popular recording artists such as Bessie Smith and Louis Armstrong in developing her musical approach. She was able to make much of poor songs as well as great ones. Her phrasing, intonation, attention to the weight and nuance of lyrics, and her lightly ...
(Vocals, 1914–93) Billy Eckstine’s smooth baritone voice and suave manner brought his music to a wide audience. He joined pianist Earl Hines in Chicago in 1939 and then led a big band from 1944–47 that many see as the cradle of bebop, although few recordings survive. He was one of the few black singers to be featured on national ...
Bill Evans was one of the most lyrical and romantic of all jazz pianists. His distinctive lightness of touch and singing tone on the piano shone most brightly in his favoured trio settings with compatible bass players and drummers, including famous line-ups that featured Scott LaFaro and Paul Motian, and later Eddie Gomez and Marty Morrell. Evans was born ...
(Organ, piano, arranger, 1916–96) William Ballard Doggett was born in Philadelphia, Pennsylvania. The band he led was taken over by Lucky Millinder in 1940 and Doggett stayed on as pianist and arranger. After working with the Ink Spots, he played with Louis Jordan’s band from 1947–51. He was active as a studio pianist, organist and ...
(Harmonica, vocals, b. 1951) Branch began playing harmonica at the age of 10, before polishing his onstage technique in Chicago with Big Walter, James Cotton, Junior Wells and Carey Bell. In 1975 he became a sideman for Willie Dixon and then formed Sons of Blues with Lurrie Bell (guitar). Branch continues to front the band and ...
(Piano, b. 1966) The son of Broadway composer Moose Charlap and singer Sandy Stewart, Bill Charlap was inducted into professional jazz by Gerry Mulligan and has been critically acclaimed for his deft playing, superb taste and unfailing swing feel. In 2004 he succeeded pianist Dick Hyman as director of the long-established, prestigious jazz series at New York’s ...
(Guitar, b. 1951) A distinctive electric guitar stylist, Frisell evokes longing and wonder through melodic selectivity, legato attack and strategic outbursts. Originally a clarinetist, then inspired by Wes Montgomery, he studied at Boston’s Berklee School of Music and with Jim Hall. He recorded for ECM and won fame in the New York noise/improv scene, exploring ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.