SEARCH RESULTS FOR: Billy Joe Shaver
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(Vocals, guitar, b. 1939) Shaver arrived in Nashville in 1968, sold songs to Kris Kristofferson and Tom T. Hall, and wrote all but one song on Waylon Jennings’ 1973 album Honky Tonk Heroes. That led to Shaver’s own debut later the same year with Old Five And Dimers Like Me. Shaver had his songs recorded by Elvis ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Alternative-rock guitarist Joey Santiago (b. 1965) was born in Manila, Philippines, to a wealthy family, who emigrated to the United States when President Marcos declared martial law. The family eventually settled in Massachusetts. Joey first played guitar at the age of nine, becoming a fan of Seventies punk and David Bowie. At the University of Massachusetts, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

California native Joe Pass (1929–94) developed a thoroughly precise jazz technique that propelled him to virtuoso status alongside pianist Oscar Peterson and vocalist Ella Fitzgerald, with whom he made a series of essential recordings for the Pablo label in the Seventies. Pass was raised in Johnstown, Pennsylvania. He took up guitar after being inspired by singing cowboy Gene Autry. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

American guitarist Joe Satriani is widely credited with pioneering the rock-instrumental style in the 1980s, opening up the genre for guitarists like Steve Vai, Eric Johnson and Yngwie Malmsteen. His talent for creating highly evolved music, using a pop-song structure with tuneful melodies before applying his own virtuoso skills, has made him one of the most successful ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Joe Bonamassa, born in 1977, began playing guitar at the age of four on a small instrument given to him by his father. By the age of seven, he was playing Stevie Ray Vaughan songs on a full-size guitar. Bonamassa began performing in upstate New York at the age of 10 and was discovered by the blues great ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One half of the infamous ‘Toxic Twins’, along with vocalist Steven Tyler, Aerosmith’s Joe Perry projects a swagger and ultra-cool stage presence that few guitarists can match. Fewer still possess his capacity for muscular, gritty soloing and hook-laden riffing. For over 30 years now, Perry and his stinging guitar tone, generated most often via his signature Gibson ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Joe Walsh (b. 1947) was born in Kansas and spent his childhood in Ohio and his high-school years in New Jersey before returning to Ohio to attend college at Kent State. He played bass in various bands before adopting guitar for a stint in the local group The Measles from 1965 to 1969. That led to a spot with Cleveland-based trio ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

A slapped upright bass, twanging lead guitar and acoustic rhythm guitar; a blues structure with country and blues inflections; a strong beat and moderate-to-fast tempo; a wild, yelping, often stuttering vocal style, together with plenty of echo on the recordings are the main ingredients of rockabilly. The rockabilly style was an eclectic hybrid of R&B, hillbilly ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Violin, 1903–78) Venuti teamed up with guitarist Eddie Lang in 1926 for some classic duet sessions on OKeh. They reprised their intimate chemistry on 1928 sessions and worked together through the 1920s and 1930s on recordings for Jean Goldkette, Paul Whiteman, Red McKenzie and Roger Wolfe Kahn. In 1933 Venuti led small group sessions and in 1935 fronted ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Joseph Vernon Turner was born on 18 May 1911 in Kansas City, Missouri. He dropped out of school after sixth grade and worked with blind singers on the streets. The blues was in the air in Kansas City and when Turner joined in with the street singers he would make up blues lyrics. Turner was functionally illiterate and never learned ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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