SEARCH RESULTS FOR: Blind Boy Fuller
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(Guitar, vocals, 1908–41) Fuller was born Fulton Allen in Wadesboro, North Carolina and was one of 10 children. He learned to play guitar as a teenager and by the mid-1920s was working for tips around Rockingham, North Carolina. He had lost his sight by 1928. He teamed up with artists such as Gary Davis, Bull City ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Lenny Breau (1941–84) was a Canadian guitarist who blended many styles of music, including country, classical, flamenco and jazz guitar. Breau, inspired by country guitarists like Chet Atkins, used fingerstyle techniques not usually associated with jazz guitar. Breau was born in Auburn, Maine. His French-speaking parents, Hal ‘Lone Pine’ Breau and Betty Cody, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

1711–79 English composer A Londoner, Boyce was a chorister at St Paul’s and a pupil of Maurice Greene (1696–1755) and J. C. Pepusch (1667–1752). He held posts as organist, notably at the Chapel Royal, and became Master of the King’s Musick in 1755. In that capacity he composed many court odes; he also wrote sacred music and stage ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Groups of fresh-faced young men singing catchy tunes have been one of the mainstays of commercial pop since The Beatles. In the last two decades, manufactured boy bands such as New Kids On The Block and Take That have ruled the roost. Although their musical legacy bears no comparison to that of The Fab Four’s, the devotion they inspired ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The myths, legends and lore of the Wild West, for better or worse, have done much to shape the American character. They have given rise to the nation’s lingering infatuation with guns, outlaws, the rugged ethos of self-reliance, individualism and a world with simplistic definitions. These themes, usually portrayed in an earnest and nostalgic ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

One of country music's rare departures from down-home values, the urban cowboy phenomenon of the early 1980s was much more a fleeting trend, driven by commercial greed, than a genuine grassroots movement. The term ‘urban cowboy’ gained currency with the 1980 release Urban Cowboy, a hit Hollywood feature film of middling quality, starring John Travolta and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Although he is often cited as the first ‘folk’ bluesman to record, Blind Lemon Jefferson was actually much more than that: he was America’s first male blues pop star. On the strength of his recordings for the Paramount label – some of which are said to have sold upwards of 100,000 copies – Jefferson became a celebrity throughout the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, c. early 1890s–c. 1933) Among the most influential instrumentalists in the blues, Blind Blake remains a mystery man in terms of his personal life. Born either Arthur Blake or Arthur Phelps, probably in Florida (Jacksonville or Tampa), he purveyed a ragtime-influenced, polyrhythmic picking technique that combined jaw-dropping technical virtuosity with an impeccably crafted symmetry. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, c. 1902–47) Texas-born Willie Johnson, a purveyor of sacred material who would probably have been appalled at being categorized as a ‘blues’ artist, was blinded at the age of seven when his stepmother threw lye in his face after being beaten by his father. He sang in a hoarse, declamatory voice and his fretwork ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, 1901–59) A skilled purveyor of the ragtime-influenced Piedmont fingerpicking style, Atlanta-based Blind Willie McTell incorporated pop songs and novelty numbers, as well as blues, into his repertoire – befitting an entertainer who got his start in tent shows, medicine shows and carnivals. His voice was unusually tender and expressive for a musician who ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1914–48) John Lee Williamson was born in Jackson, Tennessee. He taught himself harmonica at an early age and left home in his mid-teens to hobo with Yank Rachell and Sleepy John Estes through Tennessee and Arkansas. He settled in Chicago in 1934 and made his recording debut for Bluebird in 1937. His first song, ‘Good ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1905–74) Arthur William Crudup was born in Forest, Mississippi and did not learn to play the guitar until his 30s. He worked functions in the Clarksdale area before moving to Chicago in 1940, signing with Bluebird in 1941 and finding considerable popularity on record. He returned to Mississippi after the Second World War and worked ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal duo, 1936–76) This prettiest and most poignant of country harmony duos was first heard on southern radio in 1935. The North Carolina-born Bolick brothers – Bill (b. 1917) and Earl (1919–98) – also recorded prolifically, accompanying themselves on mandolin and guitar, from 1936 to 1951, making definitive discs of traditional Americana like ‘Down On The Banks ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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