Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...
Although he is often cited as the first ‘folk’ bluesman to record, Blind Lemon Jefferson was actually much more than that: he was America’s first male blues pop star. On the strength of his recordings for the Paramount label – some of which are said to have sold upwards of 100,000 copies – Jefferson became a celebrity throughout the ...
(Vocals, guitar, c. early 1890s–c. 1933) Among the most influential instrumentalists in the blues, Blind Blake remains a mystery man in terms of his personal life. Born either Arthur Blake or Arthur Phelps, probably in Florida (Jacksonville or Tampa), he purveyed a ragtime-influenced, polyrhythmic picking technique that combined jaw-dropping technical virtuosity with an impeccably crafted symmetry. ...
(Vocals, guitar, c. 1902–47) Texas-born Willie Johnson, a purveyor of sacred material who would probably have been appalled at being categorized as a ‘blues’ artist, was blinded at the age of seven when his stepmother threw lye in his face after being beaten by his father. He sang in a hoarse, declamatory voice and his fretwork ...
(Vocals, guitar, 1901–59) A skilled purveyor of the ragtime-influenced Piedmont fingerpicking style, Atlanta-based Blind Willie McTell incorporated pop songs and novelty numbers, as well as blues, into his repertoire – befitting an entertainer who got his start in tent shows, medicine shows and carnivals. His voice was unusually tender and expressive for a musician who ...
(Guitar, vocals, 1908–41) Fuller was born Fulton Allen in Wadesboro, North Carolina and was one of 10 children. He learned to play guitar as a teenager and by the mid-1920s was working for tips around Rockingham, North Carolina. He had lost his sight by 1928. He teamed up with artists such as Gary Davis, Bull City ...
(Vocals, songwriter, 1885–1957) The Rev. Andrew Jenkins, a blind Georgia minister, made numerous records in the 1920s, both solo and with family members, but his importance lies chiefly in his huge folio of songs, particularly topical pieces like ‘The Death Of Floyd Collins’ and ‘Ben Dewberry’s Final Run’ (recorded by Jimmie Rodgers), and gospel ...
(Vocals, fiddle, 1880–1956) Reed, a singer and fiddler from Princeton, West Virginia, made his living playing at dances and church meetings and giving music lessons. Recording in the late 1920s, he observed contemporary life in songs like ‘How Can A Poor Man Stand Such Times And Live ?’– a catalogue of the ills that afflicted ...
(Vocal/instrumental group, 1969) Billed as ‘the supergroup of all times’, Steve Winwood (keyboards, vocals), Eric Clapton (guitar), Rick Grech (bass) and Ginger Baker (drums) were an amalgam of ex-members of Cream, Traffic and Family. Launched with a free concert in London’s Hyde Park, they broke up after a troubled US tour. Winwood then reformed a Traffic that ...
(Vocal/instrumental group, 1965–72, 1989, 1996) When the ‘classic’ line-up of Marty Balin (vocals), Grace Slick (vocals), Paul Kantner (guitar, vocals), Jorma Kaukonen (guitar, vocals) and Skip Spence (drums) found each other, a merger of an oblique form of folk rock with psychedelia ensured acceptance by their native San Francisco’s hippy community. They produced 1967 hit ...
(Vocal group, 1970–84) The successor band to Jefferson Airplane whose official debut was 1974’s Dragonfly although the name had been used by singer/guitarist Paul Kantner on Blows Against The Empire (1970). Former Airplane vocalist Grace Slick joined the new band along with David Freiberg (bass), John Barbata (drums), Pete Sears (keyboards) and Craig Chaquico (guitar). Ex-Airplane singer Marty Balin signed ...
(Vocal/instrumental group, 1983–96, 2005–present) Evan Dando (vocals, guitar, drums) and Ben Deily (guitar, drums) were the main movers behind the indie rock of Boston’s Lemonheads. Hate Your Friends and Creator (both 1988) and Lick (1989) got them a deal with Atlantic. An acrimonious split with Deily eventually brought Dando’s girlfriend, Juliana Hatfield, into the ...
‘Green Tambourine’, 1967 The Lemon Pipers did not write much of their material, and are alleged never to have liked ‘Green Tambourine’. Recorded as a contractual obligation to Buddah, it was a UK bubblegum pop No. 1. The Lemon Pipers always wanted to explore a more psychedelic direction, however, and by the time they were finally allowed ...
Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...
When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...
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