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(Vocals, b. 1944) The diminutive Georgia-born Brenda Tarpley turned professional aged six, and was known as ‘Little Miss Dynamite’, debuting on the US pop and country charts in early 1957. 1959’s ‘Sweet Nothin’s’, a sexy rocker, was her first US Top 5 hit, and her biggest success came with 1960’s million-selling US No. 1 ballad, ‘I’m ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1944) The dynamic, big-voiced Atlanta, Georgia-born Virginia Mae Tarpley sold millions of records during the 1950s, 1960s and 1970s, and had a major impact on both the pop and country market – all the while recording in Nashville. Lee first broke through in the late 1950s as a teen idol. Her signature hits included ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Lee Ritenour (b. 1952) began his career as a session player at 16 and grew into an internationally respected guitarist, composer and producer. He has appeared on over 3,000 sessions and recorded 40 solo and collaboration albums. He had a worldwide hit with ‘Is It You’ in 1981. As for his guitar playing, his nickname, Captain Fingers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Peter Green was born Peter Greenbaum in Bethnal Green, London in 1946. He began playing guitar at the age of 10. Among his early influences were Hank Marvin, Muddy Waters and B.B. King. After Green played bass in several semi-pro outfits, keyboardist Peter Bardens invited him to play lead in his band. Three months later ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Rock guitarist Albert Lee was born in Leominster, Herefordshire in 1943. The son of a musician, Lee started his musical career on piano, but like many of his generation, took up the guitar upon the arrival of rock’n’roll, inspired in particular by Buddy Holly. He played in various bands after leaving school at the age of ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Alvin Lee was born Graham Barnes in Nottingham in 1944. Inspired by rock’n’roll guitarists Chuck Berry and Scotty Moore, Lee began to play at the age of 13, and formed his first band, Ivan Jay & The Jaymen, in 1960. Lee became lead vocalist in 1962 when the band changed their name to The Jaybirds ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Jakey Lou Williams (b. 1957) was born in Norfolk, Virginia. His father was a member of the US Navy, which meant frequent relocation. Finally, however, the Williams family settled down in San Diego, California, where Jake began taking classical piano lessons. But, upon hearing his older sister’s Jimi Hendrix, Led Zeppelin and Black ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The original boogie man, John Lee Hooker (1917–2001) sustained a career of more than 50 years with his incessant one-chord stomp and half-spoken vocal style. But behind the captivating, hypnotic rhythm, Hooker found his own deep blues – one with dark tones and mysterious flurries of notes – as he groped to express, often with a wicked ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In the later years of the nineteenth century, the world of black religion was in ferment. Breakaway sects began to found their own churches and followed the drift of black people from the country to the cities, resulting in the mass migrations from Southern oppression to a newer, but not always easier life in the industrialized cities of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Guitar, vocals, 1899–1977) John Adams Estes was born in Ripley, Tennessee. He teamed up with mandolinist Yank Rachell to work the area from 1919 until the late 1920s. His first recordings were made for Victor in 1929 and included his celebrated ‘Divin’ Duck Blues’. He left Brownsville for Chicago in 1931. With harmonica player Hammie Nixon, Estes ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

John Lee Hooker’s sparse blues sound was a major influence on the younger generations of blues musicians dominating the music scene in the 1960s and 1970s. His individual style retained a primitive purity at a time when many of his contemporaries were experimenting with groups and incorporating the influences of other types of music into their blues. Hooker’s guitar technique was ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1968–present) Many fans who love Fleetwood Mac’s string of 1970s hits are unaware of their earlier blues explorations. The band came into being when guitarist Peter Green, drummer Mick Fleetwood and bassist John McVie broke away from John Mayall’s Bluesbreakers. In 1968, with Jeremy Spencer on second guitar, Fleetwood Mac debuted on Blue Horizon. A ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, 1938–72) Born in Philadelphia, trumpeter Lee Morgan led one of the storybook lives in jazz. He joined Art Blakey’s Jazz Messengers in 1958, having already worked with Dizzy Gillespie and John Coltrane. A magnificent hard-bop stylist who effectively utilized half-valve techniques and staccato blowing, Morgan was a star of the Blue Note Records roster, hitting ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Songwriter, bandleader, fiddle, vocals, 1894–1964) Shelly Lee Alley is best remembered for writing the classic ‘Traveling Blues’ for Jimmie Rodgers in 1931. Texan Alley led his own pop and jazz orchestras in the 1920s, but also enjoyed success as a western-swing bandleader a decade later. At various times, his Alley Cats included such stars as ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Bandleader, 1890–1969) W. Lee O’Daniel rose to fame as the leader and announcer of The Light Crust Doughboys. President of the band’s sponsor Burrus Mill, he disliked their music and had little respect for the musicians, but he was ambitious – and used the band as a tool for self-promotion. After being fired by Burrus, he formed ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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