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The Carters (A. P. 1891–1960, Sara 1899–1979 and Maybelle 1909–78) are the most extensive clan in country music, encompassing three generations of performers and connections by marriage to other artists. This is fitting, for their musical influence is pervasive, too. Near the dawn of country music as a commercial entity, they were its first successful family ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1915–56) The Carter Family was the first vocal group to become country music stars. Consisting of A.P. Carter, his wife Sara and their sister-in-law Maybelle, The Carter Family’s simple harmonies and unique guitar-based arrangements supplanted the bluegrass-oriented ‘hillbilly’ music of rural America. The family’s sound gave new life to British and Appalachian traditionals and made ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As a member of the first family of country music, Maybelle Carter (1909–78) distinguished herself far beyond her role as accompanist to her brother-in-law A.P. Carter and his wife Sara (Maybelle’s cousin) in the Carter Family, the first recording stars of country music. Maybelle was born Maybelle Addington in Nickelsville, Virginia. In 1926 she married Ezra J. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

The term ‘horn’ is generally used to refer to the orchestral horn, also known as the French horn. Although it is used in jazz slang to indicate any wind instrument played by a soloist, the name here refers to the orchestral horn. History The early history of the horn is bound intimately to that of the trumpet. Both instruments ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(Alto saxophone, arranger, trumpet, vocals, 1907–2003) One of the great arrangers and soloists in jazz history, Bennett Lester Carter wrote some of the first big-band music to fully realize the flowing, legato ensemble of the coming swing movement. His saxophone ensembles were smooth projections of his solo style. ‘Lonesome Nights’ and ‘Symphony In Riffs’ were ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bass, piccolo bass, b. 1937) A consummately professional bassist, Ron Carter possesses a distinctive tone and phenomenal dexterity that place him at the upper level of jazz rhythmists. In the early 1960s Carter joined drummer Chico Hamilton’s popular quintet, then worked with Eric Dolphy, Don Ellis, Thelonious Monk, Cannonball Adderley and Art Farmer. From ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Various saxophones, b. 1969) A musical prodigy from Detroit’s Creative Arts Collective, saxophonist James Carter toured Europe at the age of 16, worked with Wynton Marsalis and starred in Julius Hemphill’s saxophone opera Long Tongues. Since 1990, his New York ensemble has recorded a variety of ‘quiet storm’ romantic jazz, Django Reinhardt-style gypsy jazz, hard-core ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Violin, b. 1966) Violinist Regina Carter has stabilized her instrument’s precarious role in jazz after advanced work in classical, jazz-pop and experimental formats. From childhood Suzuki lessons (a method of teaching music that stresses listening over reading skills), she joined the Detroit-based band Straight Ahead, then the String Trio of New York. She was a featured soloist in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1904–96) Carter, the son of a Baptist minister, was born in Nova Scotia, Canada, and in his youth worked as a rodeo performer in Canada’s western provinces, as well as singing on radio shows. Recording for RCA Records for 50 years, Carter was central to the popularity of cowboy music in the 1930s ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1955) Born Rebecca Carlene Smith, the daughter of June Carter and Carl Smith, she worked on The Johnny Cash Show and with The Carter Family after her mother married Cash. During the first half of the 1990s, she returned to country music, after a period in the rock world and early albums with Dave ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The writing and performance of Baroque music and opera relied heavily on wealthy patrons, who often employed musicians in their private orchestras and opera houses. Among these patrons were the aristocratic Barberini family, who made their fortune in the Florentine cloth business. Moving to Rome, the Barberini became one of the city’s most powerful family dynasties. Maffeo Barberini ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1908–2012 American composer An early relationship with Charles Ives (1874–1954) and a period of study with Nadia Boulanger (1887–1979) led to a synthesis of European modernism and American ultra-modernism, which can be heard in the String Quartet No. 1 (1950–51). By the second quartet (1959), Carter was following an entirely different style: the four string players are instructed to sit ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1966–73) In 1967, Family became popular on London’s ‘underground’ circuit. Not the least of their distinctions was singer Roger Chapman’s nanny-goat vibrato (which you either liked or you did not) other stalwarts were Charlie Whitney (guitar) and Rob Townsend (drums). UK Top 30 singles ‘No Mule’s Fool’, ‘Strange Band’, ‘In My Own Time’ and ‘Burlesque’ were but ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The story of Sly Stone (born Sylvester Stewart in Dallas on 15 March 1944) is a classic rock’n’roll tale of ground-breaking success followed by a drug-fuelled downward spiral into unreliability and dissipation. In the 1960s and early 1970s he pioneered a fusion of funk, rock and soul that changed the course of R&B, pop and even jazz. Yet on ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

From its roots, country music has been associated with simplicity – in melody, in subject-matter and in instrumentation, and it is this that has perhaps ensured its longevity. However, all good musicians make their craft look simple, and the history of country music is packed with virtuosos, from the pioneering banjoist Earl Scruggs, through ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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