(Vocals, composer, b. 1955) Raised in Mississippi, smoky contralto Wilson sang R&B and folk music, but emerged in New York in the early 1980s as a member of the M-Base Collective and with Henry Threadgill’s band. Her breakout album Blue Skies (1988) reprised jazz standards and she starred in Wynton Marsalis’ oratorio Blood on the Fields, ...
(Piano, 1912–86) Although the physical brilliance of Art Tatum may have eluded most pianists in the 1930s, the more practical possibilities offered by Teddy Wilson made him the most influential pianist of the decade. Softening Earl Hines’ emphasis on the beat still further, Wilson’s style was centred almost wholly in his right hand, which spun smooth, ...
(Vocals, songwriter, b. 1973) Raised in rural Pocahontas, Illinois, Gretchen Wilson was one of the biggest acts to emerge on the country scene in some years. She moved to Nashville in 1996, where she eventually met John Rich, of singer-songwriters Big And Rich, and gave him a demo. This led to a deal with ...
(Singer-songwriter 1934–84) Detroit-born Jackie Wilson, an ex-amateur boxer, sang with gospel groups before replacing Clyde McPhatter in Billy Ward and The Dominoes in 1953. His first solo success came with 1957’s UK and US hit, Reet Petite’, co-written by Berry Gordy Jr., who went on to found Motown Records. His first US Top 40 hit was 1958’s ...
(Vocals, 1941–2006) After an early career with the seminal R&B group The Falcons (he replaced Eddie Floyd as lead singer), Pickett signed with Atlantic in 1965, recording with Booker T. And The M.G.s at Stax in Memphis, and scored an early hit with ‘In The Midnight Hour’, first of many successes characterized by mighty horn stabs ...
(Vocals, 1934–84) With his powerful high vocal range, Jackie Wilson was among the earliest singers to make the transition from R&B to soul. His first single, 1957’s ‘Reet Petite’, was the start of a winning partnership with its writer, young Berry Gordy (although Wilson never recorded for Gordy’s Motown label). ‘Reet Petite’ was actually more successful in ...
(Vocals, composer, b. 1930) Lincoln caps her long, diversified singing and acting career as an iconic songwriter and performer. Her first record, in the 1950s, was with Benny Carter’s orchestra; in the 1960s she recorded politicized material with then-husband Max Roach. In the mid-1980s she re-emerged, paying tribute to Billie Holiday and embodying an African-American ...
(Alto and soprano saxophones, b. 1960) After playing in R&B bands in St. Louis, Greg Osby studied at Washington, DC’s Howard University, with classmates including pianist Geri Allen. He quit Berklee School of Music to tour with Dizzy Gillespie, then moved to New York City and joined Steve Coleman’s M-Base Collective. At first their styles were ...
(Piano, songwriter, 1888–1989) Born Israel Beilin in Siberia, Berlin’s family relocated in 1893 to New York, where he broke into vaudeville. He published his first song in 1907 and in 1911 had his first major hit with ‘Alexander’s Ragtime Band’. One of America’s most prolific melodicists, Berlin wrote hundreds of tunes that became standards, including ...
(Drums, b. 1960) Watts played timpani in the Pittsburgh Youth Symphony Orchestra during his teens and vibraphone at Berklee School of Music, where he met the Marsalis brothers. He recorded with Wynton Marsalis from 1981 and then with Branford, following him into the house band of the televised Tonight Show. An explosive polyrhythmist who can also provide restrained ...
(Alto saxophone, b. 1956) Chicago native Coleman worked in funk and R&B bands before switching to jazz and learning under tenor sax great Von Freeman. He moved to New York in 1978 and worked with the Thad Jones–Mel Lewis Orchestra and Sam Rivers. He had a key tenure in the early to mid-1980s with Dave Holland before forming his own ...
In the 1980s, trumpeter Wynton Marsalis leapt from jazz-steeped New Orleans to international artistic prominence. In 1979 he was enrolled in New York City’s Juilliard School and was jamming with Art Blakey’s Jazz Messengers, and 10 years later he had seeded what has become an unrivalled international jazz performance centre. In between, Marsalis established himself as a hot ...
It was in the rich cotton–producing Delta stretching from Mississippi to Tennessee that black labourers working the plantations gave ferment to an earthy style of music born out of African songs, chants, spirituals and gospel tunes that had been handed down for generations. They called it the blues. The man usually recognized as the first star of Delta country ...
At least until the 1930s and 1940s the dominant themes in country music were a celebration of bedrock rural values like family, faith, fidelity and the redeeming powers of true love and honest labour. The music served as much as anything to offer listeners comfort, reassurance and a soothing sense of place and identity. But as America’s national ...
By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.