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(Producer, executive, 1902–82) London, England-born Don Law was one of the most influential producers in modern country music. As head of Columbia Records’ country division in the 1950s and 1960s, he produced cornerstone artists such as Johnny Cash, Marty Robbins, Ray Price and Johnny Horton. Columbia Records, under Law’s tenure, was also at ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Martin Pugh grew up in England during the 1960s and 1970s. As a young musician influenced by rock’n’roll, Pugh developed his progressive, blues-and-folk-influenced style with his first band, known as The Package Deal, who performed in Devon and Cornwall in the early 1960s. Martin soon moved to London and joined Carl Douglas (‘Kung Fu Fighting’) and The ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

1596–1662 English composer Henry Lawes served in the Chapel Royal of Charles I and, in the early part of his career, composed theatre music known as masques. By the early 1630s, Lawes had cultivated a friendship with the poet John Milton, with whom he collaborated on two masques, Arcades (1630), the music for which has not ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1602–45 English composer William Lawes, like his brother Henry Lawes, was a musician at the court of the English King Charles I. Although he too composed songs and theatre music, his greater strength lay in consort music for viols or members of the violin family and it is for these that he is best remembered. Lawes’ consort music ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Adele Laurie Blue Adkins was born on 5 May 1988 in Tottenham, a deprived part of North London with a high rate of unemployment. Her mother, Penny Adkins, was just 18 and an art student when her daughter was born. Adele’s father, Mark Evans, exited Adele’s life when she was aged three, leaving mother and daughter ...

Source: Adele: Songbird, by Alice Hudson

By the late-1960s, the Nashville music industry had grown slick, complacent and predictable, even as the greater national culture, in the shadow of the Vietnam War, was entering an era of tumult and rebellion. Largely as a result of this, the outlaw movement arose. It began as a rudimentary grassroots uprising, instigated by a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

During the first half of the nineteenth century, London became the financial and commercial capital of the world, its population expanding to two and a half million. Concert life had stagnated at the turn of the century, but the first few years of the new century saw a new interest in the art and by 1810 development was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ga-a-ta’-no Don-it-set’-te) 1797–1848 Italian composer Between the death of Bellini (1835) and the emergence of Verdi, Donizetti was the dominant figure in Italian opera. He studied with Mayr and Padre Mattei. After composing numerous apprentice operas and various sacred, orchestral and instrumental works, he had his first real success with Zoraida di Granata (‘Zoraida of Granada’, 1822), which gave ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Banjo, guitar, 1905–73) Originally from Indiana, Condon became associated with Chicago’s Austin High School Gang, a group of white West-Side teenagers who emulated King Oliver’s Creole Jazz Band and created their own take on hot jazz. In 1927, Condon co-led a band with William ‘Red’ McKenzie (which also included Bud Freeman, Frank Teschemacher, Gene ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Alto saxophone, clarinet, vocals, composer, arranger, 1900–64) Renowned for crafting the polished sound of the mid-1920s Fletcher Henderson Orchestra, Redman’s innovative arrangements pre-dated the swing era by a decade. His sophisticated compositions were significantly affected by the driving, swinging trumpet work of Louis Armstrong, who played in Henderson’s orchestra throughout 1924. The conservatory-trained ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor and soprano saxophone, 1923–90) Dexter Gordon is widely credited as the leading figure in the evolution of bebop on his instrument, the tenor saxophone. The Los Angeles native was influenced initially by stars of the swing era, in particular Lester Young, and went on to adapt many of Charlie Parker’s alto saxophone innovations to the tenor. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1928–2002) Rosco Gordon was born in Memphis, Tennessee. He won an amateur contest in 1950 and was soon appearing on WDIA radio with his own show. He began recording with Sam Phillips in 1951; Phillips sold the master of ‘Booted’ to Chess Records and the master of ‘No More Doggin’’ to Modern. Gordon had two hits ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Cornet, 1936–95) Besides serving as the perfect complement for Ornette Coleman in the saxophonist’s early quartet, cornettist Don Cherry was a pioneer of the now-popular ‘world music’ movement. His musician father brought the family to Los Angeles from Cherry’s birthplace in Oklahoma, where Cherry played in the Jazz Messiahs before meeting Coleman. After leaving the Coleman group and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, 1935–90) Respected sideman Lawhorn began a nine-year stint with Muddy Waters’ band in 1956 after working with harmonica players Sonny Boy Williamson II and Willie Cobbs, among others. Waters fired the Little Rock, Arkansas native in 1973 for excessive drinking. By then his razor-edged tone and imaginative soloing had already left an indelible mark on the blues. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, mandolin, b. 1944) Doyle Lawson established a reputation as a terrific mandolinist in the style of his hero Bill Monroe during stints with J. D. Crowe And The New South (1966–71) and The Country Gentlemen (1972–79). But when the eastern Tennesseean started his own band, Doyle Lawson And Quicksilver, in 1979, he took bluegrass in ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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