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(Fiddle, 1887–1975) To fiddler Eck Robertson, and his often overlooked partner Henry Gilliland, goes the credit for recording, in June 1922, the first unequivocal country record: ‘Arkansaw Traveler’, an intricate fiddle duet, and ‘Sallie Gooden’, a virtuoso version of the traditional tune played by Robertson alone. He recorded again in the late 1920s with his ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The most mercurial guitarist of his generation, Jeff Beck (b. 1944) has never conformed to the conventional image of a guitar hero. He has repeatedly left or broken up bands before their commercial potential could be realized. He restlessly changes style from one album to the next, refusing to be tied down musically. And his live appearances are intermittent. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Jason Becker, born in 1969, is an American neo-classical metal guitarist and composer whose steady rise to the top of the guitar world was cut short by illness. Becker was born and raised in Richmond, California. In high school, he performed Yngwie Malmsteen’s ‘Black Star’ with his band at a talent show. At 16, he formed ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The swooping, full-octave slide-guitar riff that opened Elmore James’s (1918–63) first record, ‘Dust My Broom’, in 1951 not only electrified the legacy of Robert Johnson, it also established one of the basic riffs of post-war blues. Bottleneck guitar had always been part of the blues, but James was the first to use it in a hard rocking ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The heckelphone was developed by William Heckel after he heard from Wagner in 1879 that the orchestra lacked a powerful baritone double-reed instrument. Accordingly, he experimented with the oboe family and produced the first heckelphone in 1904. Built in three sections, it has a wider bore than the oboe, and is played using a bassoon-type reed mounted on ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1914–93) Billy Eckstine’s smooth baritone voice and suave manner brought his music to a wide audience. He joined pianist Earl Hines in Chicago in 1939 and then led a big band from 1944–47 that many see as the cradle of bebop, although few recordings survive. He was one of the few black singers to be featured on national ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, b. 1920) The Dave Brubeck Quartet was one of the most successful jazz groups of all time; Brubeck’s fascination with unusual time signatures brought major hits with ‘Take Five’ (written by saxophonist Paul Desmond) and ‘Blue Rondo À La Turk’ in 1959. His recording of ‘Dialogues For Jazz Combo And Orchestra’, composed by his brother Howard, appeared the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Randy Brecker, trumpet, flugelhorn, b. 1945; Michael Brecker, tenor and soprano saxophone, EWI, 1949–2007) Philadelphia-born brothers Randy and Michael Brecker were already experienced players when they collaborated with drummer Billy Cobham in 1970 to form Dreams, one of the first groups to attempt combining elements of jazz and rock. In 1975 the siblings formed ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, 1938–2003) Johnny Paycheck was, like David Allan Coe, an Outlaw in fact as well as by musical reputation. The former Donald Eugene Lytle was court-martialled from the US Navy in 1956 and served two years in an Ohio prison after shooting a man in a 1985 bar fight. In between he recorded rockabilly as Donnie ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In 1981, Sam Bush (mandolin, vocals, b. 1952) lost half of his band, The New Grass Revival, to road weariness. Courtney Johnson (banjo, 1939–96) and Curtis Burch (guitar, vocals, b. 1945) were exhausted by the tours with Leon Russell and the club and festival dates in between. So Bush and his remaining partner ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Composed between 1917 and 1922 and first performed in Berlin on 14 December 1925, this work features Berg’s own libretto, based on the Georg Büchner play Woyzeck. Written a century earlier, the play recounts the true story of a soldier, barber and drifter who is executed for murder. Büchner may have read about Johann Christian Woyzeck as ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1933, Polish Violin virtuoso Penderecki attended the Kraków Academy until 1959, when he entered a composers’ competition several times and collected a first prize and two second prizes. Initially attracted to the avant-garde movement, Penderecki found international fame with Threnody for the Victims of Hiroshima (1960), written for 52 stringed instruments. This used tone clusters to convey ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(On-rikh Gor’-rets-ke) 1933–2010 Polish composer As a young composer, Górecki made a name for himself as a leading member of the Polish avant-garde in works such as Scontri (1960) for orchestra. During the following decade he moved towards a more emotionally expressive and modal musical language, incorporating elements of Polish traditional and sacred music. The Symphony No. 3 (Symphony ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(K’zhesh’-tôf Pen-de-ret’-ske) b. 1933 Polish composer Following the early influence of Stravinsky and Webern, Penderecki joined the forefront of the avant-garde with Tern ofiarom Hiroszimy (‘Threnody for the Victims of Hiroshima’, 1960), which uses tone-clusters, quarter-tones and graphic notation. His music of this time is searingly intense and passionate. His music softened during the late 1970s, becoming more ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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